Armchair rhetoric on extreme metal
Sallow Moth: Hydrophilous BroodOut 24th July on Willowtip Records Surrealist brutal death metal redrafts elements of ‘Obscura’ and post 2000s Suffocation, but as with most contemporary avant-garde progressive extreme metal, it conflates stylistic incontinence with a density of ideas. Sure, for solid stretches of this album Sallow Moth work the Rubik’s Cube of tightly packed... Continue Reading →
A hundred death metal albums not from the USA Between 1993 and 1994, death metal popped its head above the underground parapet to peek into the mainstream. From airplay on MTV’s Headbangers Ball, to Morbid Angel being the first death metal band to get major label backing with a signing to Giant Records, to bloody... Continue Reading →
Apocalyptic SteelOut 26th June on Season of Mist Underground Activists Say what you like about Nargaroth, but the guy dances to the beat of his own drum. In his earliest period Ash was simply content to write Nordic black metal fanfic, resulting in a surplus of flat, bloated material that bored more than it enraged... Continue Reading →
A hundred death metal albums not from the USA Where were you in 92? Well, I was being shepherded between various preschool childcare arrangements, blissfully unaware of the exploding death metal scene. Part I took us from the late 80s to 1991, and naturally Sweden dominated when you remove death metal’s other centre of gravity... Continue Reading →
The Temples of Offal/Return of the AncientsOut 10th June on ATMF (originally released in 1991) One often forgets that - along with the likes of Massacre and Napalm Death- Absu were another Trigger’s broom band. (That’s bands whose latest incarnation features none of their original members for any none UK readers). But with this latest... Continue Reading →
Waan van de leegteOut 6th June on Terratur Possessions Similar to the recent Selenite Scrolls in its ability to insert itself into a very crowded style and still find room for a USP. This debut slots in somewhere between early Enslaved and Ulver with a less explicitly folkist orientation. The album washes over the listener... Continue Reading →
Channeling the EgregoreOut 15th May on Medieval Prophecy Records The debut album from this Belgium outfit marries the uncanny, atmospheric mysticism of Beherit and Demoncy with a more symphonic ambition. It borrows the subtle, haunting style of early Ancient or Gehenna, but presents it with a relaxed yet intentional pace. Atmospheric, understated, a little loose... Continue Reading →
Oh no, a cheap clickbait listacle! Fear not, however, I come with good intentions. Staying abreast of new material in 2026 feels like navigating a tiny dinghy through a great storm of biblical scale. All you can do is cling on and stay the course through the sensory overload. The annual AOTY roundup functioning more... Continue Reading →
Dire Garden of the AgesOut 29th May on Naturmacht Productions The second album from this Irish solo project could be framed as a transfer of styles from one zone to another. Whilst the debut behaved like an epic fable heavily rooted in Viking and Celtic metal stylings, the follow up offers a rather dramatic volte-face... Continue Reading →
Words by P.B. Elsewhere in this blog, it has been said that there are four metal subgenres -- heavy, speed (incorrectly called “thrash”), death, and black. However, in the article where this was first put forth, little justification was given as to why there were this many subgenres, and what the lines dividing them were. ... Continue Reading →
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