Armchair rhetoric on extreme metal
Words by P.B. Elsewhere in this blog, it has been said that there are four metal subgenres -- heavy, speed (incorrectly called โthrashโ), death, and black.ย However, in the article where this was first put forth, little justification was given as to why there were this many subgenres, and what the lines dividing them were.ย ... Continue Reading →
ะะฐะทัััััั ะััะฐะฝะฝัะพะผั ะกะฒััะฐะฝะบั (Towards the Last Dawn)Out 29th May on ATMF The debut EP from this Ukrainian outfit is reminiscent of early Abigor in the way it roots a romanticist aspiration in the adventurism of medievally derived melodic lines. But it manages to contain this within an expression of metal at once strikingly energetic and... Continue Reading →
Fournier: DemoOut 22nd May on Caligari Records Angular, tangential death metal chases the dragon of compositional unity meshed with explicit complexity in the spirit of Immolation or Morbid Angel. The production is relatively tinny by modern standards, even for a demo. With a metallic snare cutting through the factory settings distortion, and choppy bass lines... Continue Reading →
The Secret of DeathOut 21st May on Xtreem Music Since the departure of Jarno Nurmi in 2016, Tommi Grรถnqvist has steered the good ship Desecresy in painfully incremental steps from one album to the next, a process that feels like itโs finally bloomed on their latest album โThe Secret of Deathโ. ย Namely a synthesis of... Continue Reading →
Mรถhrkvlth: Gwenojennoรน An Ankounac'hOut 5th May on Antiq Sickly sweet post hardcore rendered in black metal form. Every riff geared toward emotional catharsis, achieving nothing as a result given the fact that no room is left for conflict, tension, strife, contrast. The total lack of patience demonstrable in the melodic signature of modern black metal... Continue Reading →
The First GeometryOut 26th April, self-released Somewhere between the arcane mysticism of formative Greek black metal and the barbaric militarism of early Graveland sits this self-released debut. Richly textured keyboard lines dominate the landscape, leaving the guitars to flesh out a more visceral physicality, with ponderous, mid-paced drums furnishing all with a threateningly understated momentum.... Continue Reading →
Words by Jason Kiss Jacques Ranciรจreโs notion of the โdistribution of the sensibleโ offers a productive theory for probing the black metal phenomenon. Ranciรจre defines the distribution of the sensible as โthe system of self-evident facts of sense perception that simultaneously discloses the existence of something in common and the delimitations that define the respective... Continue Reading →
Kirjad sรตgedate kรผlastOut 25th April on Antiq Five years since their debut and a very different beast has wriggled free of the Kรตdu moniker. Where โUnusta kรตikโ unfolded a jagged, dissonant array of plodding black metal, at once surreal and haunting despite the cold, mechanistic approach, the long awaited follow up broadens the aesthetic spectrum... Continue Reading →
The dark satanic content mills vs. Angine de Poitrine Never try to go viral. Thereโs a unique embarrassment that comes with trying to go virality. The kind reserved for TV ads that appropriate internet meme culture. An abyssal exercise in the pathetic stemming from the fact that virality, by its very nature, is a freak... Continue Reading →
Dimension: DaemoniumOut 17th April on Werewolf Finlandโs Vargrav return for another bout of outrageously dense symphonic black metal. Resembling Gnipahรฅlan in their attempt to physically overwhelm the listener with impenetrable waves of guitar and synth led noise, layers that create the illusion of activity despite an axiomatic simplicity locatable at the foundational level. Vargrav remain... Continue Reading →
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