Armchair rhetoric on extreme metal
Hybris DivinaOut 9th January on Invictus Productions Dark, imposing death metal reaches for a sharp juxtaposition between the superhuman and the horrendously surreal. The bludgeoning simplicity of early Bolt Thrower, siren wailing, toneless guitar leads and all, is elevated to a place of epical grimness via a sharp melodic flair that, although hardly complex or... Continue Reading →
On the cost of data collection, how streaming is polarising our definition of music, and why you're probably already doing the right thing to prevent it from getting worse. https://www.youtube.com/watch?v=xlKgreF0QNw
Pandemonium of EgregoresOut 26th December on Osmose Productions I’ll happily eat a hat or two if I made the wrong call, as it seems I did in writing off Meyhna'ch after the middle age tantrum that was ‘Black Metal Cult’. But the difference between an exceptional artist and a quite good one is the former’s... Continue Reading →
Metal Archives got itself into a bit of a state recently over its poll for album of 2025, seeing an Italian goth/prog/yacht rock/grunge album make the top spot by quite a significant margin. Many were quick to point out the irony of a site like MA, with a reputation for being highly selective about what... Continue Reading →
Supuration: Sultry ObsessionOut 27th November on La Caverna records (originally released in 1990) By 1993, Supuration had developed a unique voice within death metal, bridging the richly textured gloom of the Nordic style with the brighter prog permutations developing on the other side of Atlantic, adding their own distinctive goth sensibility to the mix. With... Continue Reading →
2025 audit of the year Well, that was a year. Got sued for a book review. Got divorced. And I think underground metal had one of its best years in quite a while. It’s fair to say I’ve been on a journey in my attitude toward album of the year posts. From revulsion to begrudgingly... Continue Reading →
Una Lama D’ArgentoOut 12th December on Time to Kill Records Bracing, fluid death metal achieves a sense of power through ambient riffing that weaponizes repetition as a tool of malevolence. The album is defined by a wall of guitar noise that monolithically frames the parameters through which riffs can work, limiting them to basic, dry... Continue Reading →
This World we Live in…Out 12th December on Dolorem Records Mechanical death metal combines elements of clinical industrialism and prog informalities paced out in oddly pulsing sequences. Cryoxyd leverage repetition as an important compositional tool, creating a meditative, almost hyper fixated flow, only to lurch into soaring waves of melodic euphoria. This creates a sense... Continue Reading →
Beithioch: A Cold Eye on Life and DeathOut 14th November, self-released After the barbaric primitivism of the ‘Beowulf’ EP back in 2023, this latest single sees Beithioch reach for a richer, expressive panorama of blackened doom metal reminiscent of The Ruins of Beverast amongst others. The flow is somewhat episodic, a ten minute plus piece... Continue Reading →
Benediction, Part IIOut 5th December on NoEvDia The second instalment of the Benediction series sees this Polish entity expand on their torturous, laboured brand of black metal ritualism, pitching a mood somewhere between depressive black metal and second wave Norwegian trademarks. Mayhem stands as an obvious influence through clever manipulation of ringing, open strings to... Continue Reading →
Hate Meditations 