Well no one strained any brain cells naming these bands. Post doom? Post Sludge? Whatever was going on in the mid-2000s, we've certainly seen an appetite for it this last decade; a quirky supplement to the on-trend Uncle Acid and the Deadbeats school of doom. But what worth, if any, does the music itself hold?... Continue Reading →

Ok, so the title may be a bit of a cliché, but it actually has a double meaning; one that I am about to explain. See the music of Hate Forest and I Shalt Become bears all the hallmarks of bleak black metal, of empty spaces, but also the era these two albums were released... Continue Reading →

Condor: El Valle del Condor (2018) Bogotá's Condor have been on the radar as one to watch ever since their debut ‘Nadia’ dropped back in 2013. Since then they have released three more LPs of consistent quality, and a slow but sure musical evolution has taken shape; demonstrating a talent and an ambition to be... Continue Reading →

In the documentary ‘Until the Light Takes Us’, Fenriz asked himself ‘like…how the hell did it happen?’ Dunno mate. But maybe going over the same events yet again will help. *** Finally, black metal’s creation myth gets the big budget treatment. Forged in fire and blood, it’s a story that is retold to each new... Continue Reading →

Swedish death metal owes as much to d-beat punk as it does to Slayer. Although you can hear this like a backbone through the classic releases of its household names, for the death metal enthusiast, it’s really worth going back to the very early works of these artists to really get a sense of how... Continue Reading →

As a young black metal fan, sated of Norwegian black metal, and suitably disillusioned by one-dimensional American ambient black metal, Eastern Europe promised a bold new frontier of artists, as yet untapped. For the British, there’s something mysterious about this large landmass but a few thousand miles away. The land of Dracula and Countess Bathory.... Continue Reading →

Two artists most directly responsible for the modern doom boom from both sides of the Atlantic, two artists whose development from album to album was as gradual and laboured as the music itself, and two artists that were slow to gain a following. Both were at their most prolific and retrospectively celebrated at the turn... Continue Reading →

Over a ten year period, many subgenres of metal tend to follow the same basic pattern. The odd thing is, these patterns are not really visible until after the fact. Roughly speaking, they go from a ‘proto’ period, to a heyday, to a progressive offshoot, and then eventual stagnation. But no one is aware that... Continue Reading →

Volume II With unprecedented instant access to music from every corner of the globe, traditional metrics of quality are becoming obsolete. Like the rotting wooden pillars of an abandoned pier, the sand that once held them in place is gradually eroding, swept away by overwhelming tides of content. Cast adrift in a vast ocean, the... Continue Reading →

In terms of analysing the listenability of different styles of metal,  I find it helps to think of a solar system. At the centre, making up the sun, would be universally recognisable giants such as Iron Maiden or Metallica. If you head out in one direction you may come across gas giants like Cannibal Corpse... Continue Reading →