Armchair rhetoric on extreme metal
MournholdOut 15th May on True Cult Records Following a promising debut that stitched a foggy haze of thrash and melodic death metal with a thread of black metal, Tyrannus push this loose alliance to breaking point and gamble it all on the second album. Approaching ‘Mournhold’ is akin to taking the first few sips of... Continue Reading →
Words by Jason Kiss Jacques Rancière’s notion of the “distribution of the sensible” offers a productive theory for probing the black metal phenomenon. Rancière defines the distribution of the sensible as “the system of self-evident facts of sense perception that simultaneously discloses the existence of something in common and the delimitations that define the respective... Continue Reading →
Appetite whiplash Appetites are strange things. Once an appetite returns it usually does so with interest. I lost my appetite for heavy guitar music last summer, when it returned it did so with whiplash inducing rapaciousness by late autumn, spurred on in part by what was actually a pretty solid year for metal. As spring... Continue Reading →
Careful what you wish for Following a turbulent start to the year, the constant rain finally relented this week and I got to see the sun for the first time in 2026, but this was conditioned on the temperatures once again dropping below zero. Despite the challenges, I’m determined to attack 2026 with gusto, stubbornly... Continue Reading →
Benediction, Part IIOut 5th December on NoEvDia The second instalment of the Benediction series sees this Polish entity expand on their torturous, laboured brand of black metal ritualism, pitching a mood somewhere between depressive black metal and second wave Norwegian trademarks. Mayhem stands as an obvious influence through clever manipulation of ringing, open strings to... Continue Reading →
Depths of SufferingOut 31st October on Lavadome Productions The rough presentation of this album cloaks a well oiled machine of dramatic, borderline orchestral death metal. The music’s darkness emerges not from a drab, introspective melancholia, but from a pervasive, ambient gloom, as if we were in the presence of some unknowably vast presence, be it... Continue Reading →
Ialdabaoth: G.O.A.T. / S.C.O.P.E.Out 13th March on All Is Threat Lo-fi, frantic black metal pulling from the futurist undercurrent of the genre, here reimagined as a random, feral entity, defined by illogical fits of violence, laboured interludes of despair, and uncanny structuralism. Despite the demo quality production – something utterly incapable of containing the flamboyant... Continue Reading →
Lord of NightmareOut 25th July on Hessian Firm (originally released in 2006) Endless Dismal Moan, the brainchild of one Chaos 9, who sadly took their own life in 2008, was an enigmatic Japanese black metal entity that typified or even perfected the dark, urbanist turn the genre took in the early 21st Century. Hessian Firm’s... Continue Reading →
Sacrosanct DemonopathyOut 16th May on Werewolf Records Reminiscent of Gnipahålan for its filling and oftentimes recklessly dense concoction of Nordic black metal leftovers. The result leaves a similar residual feeling of being over sated. All the moving parts work, but at times their simultaneity threatens to collapse the music into incoherence. Given how safe 2021’s... Continue Reading →
Draugaskogur: Fullmoon Hypnotic RitualOut 25th April Profundus Records Ethereal but energetic black metal from Serbia achieves a good balance between ambiguous mysticism and epic narrative expressions. The latent heroism of early Enslaved meets a gloomier aesthetic expressed through a haze of additional harmonies played through guitar effects that warp the tone of the instrument to... Continue Reading →
Hate Meditations 