Time for another look at some mid-90s treasures from our friends in the north. Swedish metal, much like the country itself, is frankly just a more class act than the UK. We have our moments, but the sheer volume of quality releases to rain down out of Scandinavia over the years is a force to... Continue Reading →
Post doom: Bongripper and OM
Well no one strained any brain cells naming these bands. Post doom? Post Sludge? Whatever was going on in the mid-2000s, we've certainly seen an appetite for it this last decade; a quirky supplement to the on-trend Uncle Acid and the Deadbeats school of doom. But what worth, if any, does the music itself hold?... Continue Reading →
Bleak and empty: Hate Forest and I Shalt Become
Ok, so the title may be a bit of a cliché, but it actually has a double meaning; one that I am about to explain. See the music of Hate Forest and I Shalt Become bears all the hallmarks of bleak black metal, of empty spaces, but also the era these two albums were released... Continue Reading →
New releases from La Caverna Records
Condor: El Valle del Condor (2018) Bogotá's Condor have been on the radar as one to watch ever since their debut ‘Nadia’ dropped back in 2013. Since then they have released three more LPs of consistent quality, and a slow but sure musical evolution has taken shape; demonstrating a talent and an ambition to be... Continue Reading →
Lords of Chaos: a review
In the documentary ‘Until the Light Takes Us’, Fenriz asked himself ‘like…how the hell did it happen?’ Dunno mate. But maybe going over the same events yet again will help. *** Finally, black metal’s creation myth gets the big budget treatment. Forged in fire and blood, it’s a story that is retold to each new... Continue Reading →
The germinal of Swedish death metal: Nihilist and Grotesque
Swedish death metal owes as much to d-beat punk as it does to Slayer. Although you can hear this like a backbone through the classic releases of its household names, for the death metal enthusiast, it’s really worth going back to the very early works of these artists to really get a sense of how... Continue Reading →
Folkstorm over Carpathia: Negura Bunget and Nokturnal Mortum
As a young black metal fan, sated of Norwegian black metal, and suitably disillusioned by one-dimensional American ambient black metal, Eastern Europe promised a bold new frontier of artists, as yet untapped. For the British, there’s something mysterious about this large landmass but a few thousand miles away. The land of Dracula and Countess Bathory.... Continue Reading →
Architects of modern doom: Electric Wizard and Yob
Two artists most directly responsible for the modern doom boom from both sides of the Atlantic, two artists whose development from album to album was as gradual and laboured as the music itself, and two artists that were slow to gain a following. Both were at their most prolific and retrospectively celebrated at the turn... Continue Reading →
Twisting the zeitgeist: Necromantia and Sigh
Over a ten year period, many subgenres of metal tend to follow the same basic pattern. The odd thing is, these patterns are not really visible until after the fact. Roughly speaking, they go from a ‘proto’ period, to a heyday, to a progressive offshoot, and then eventual stagnation. But no one is aware that... Continue Reading →
I like the beats and I like the yelling: what’s doing in British metal today
Volume II With unprecedented instant access to music from every corner of the globe, traditional metrics of quality are becoming obsolete. Like the rotting wooden pillars of an abandoned pier, the sand that once held them in place is gradually eroding, swept away by overwhelming tides of content. Cast adrift in a vast ocean, the... Continue Reading →