2019
I liked the beats and I liked the yelling: my decade in music
Why do people like black metal?
Self-awareness: where cultures go to die
Global catastrophe and original sin
The purpose of myth, secular Protestantism, and the deification of tools
New releases: first impressions: Ultra Silvam, Tides of Sulfur, Suhnopfer
New releases: first impressions: Sadistic Drive, Sepsis
Some new music: first impressions: Nattsvargr, Hexagon, Nocturnal Abyss
I like the beats and I like the yelling volume III: What’s doing in British metal
Some new music: Condemnor, Zlurad
Covers: the good, the bad, and the absolute specimens
New releases from La Caverna Records: Condor, Siete Lagunas, Crucifixion, Thrombus
I like the beats and I like the yelling volume II: what’s doing in British metal today
I like the beats and I like the yelling: What’s doing in British and Irish metal today
Reclaiming extreme metal as a social pursuit
The Story of Anvil: The endearing comedy of art that tries too hard
Enslaved, and everything that’s wrong with modern metal
Entropy of the family tree: has metal’s genre addiction reached breaking point?
10 Albums that be so do (guest entry)
Ildjarn – The black sheep of black metal
Developing yourself is largely a waste of time
Two independent organisms, one suppurating deformity
The insistent ignobility of fun finds nobility through the lends of black metal
