If you're a kid failing to fit in at school, something strange begins to happen in your mid-teens. You begin to embrace the outsider status as a badge of honour. This can manifest itself behaviourally, fashionably, culturally. Forever on the outside of the ‘cool’ clique looking in, you decide to build your own idea of... Continue Reading →
The second division of Norwegian black metal: Satyricon and Gorgoroth
Satyricon and Gorgoroth both achieved an undeserved level of fame in the post 2000 extreme metal scene. The former for fusing black metal with more conventional chord patterns and time signatures, creating a style now known as 'black ‘n’ roll'. The latter for positioning themselves as the ugly and violent bastions of true black metal... Continue Reading →
The never ending funeral: Esoteric and Thergothon
Funeral doom represents the other end of the extreme metal spectrum to black metal in many ways. Whilst death metal largely relies on riffcraft before guitar tone to justify its existence, for funeral doom and black metal (approximately the fastest and the slowest of underground metal), surface level aesthetic can make or break an album.... Continue Reading →
Old school death metal: Cianide and Asphyx
I guess back in the day old school death metal was just…death metal. At some indeterminate point in the early 2000s it came to refer to artists at work roughly between the years of 1985 to 1993, who made a name through tape trading and zines. More recently still some metalheads have revisited our history... Continue Reading →
Enslaved, and everything that’s wrong with modern metal
First, the disclaimer. I do not bear Enslaved any ill will. Their early output up to 1997’s ‘Eld’ represents better than average black metal. 1994’s ‘Vikingligr veldi’ deserving special mention as a classic. There’s no doubt that the shift in their career in the new century – marked by so called progressive/psychedelic influences – has... Continue Reading →
The real masters of abrasion: Havohej and Ildjarn
The belief that a key hallmark of raw black metal is music that intentionally alienates the listener is mistaken. Harsh vocals, distorted yet thin guitars, blasting drums, and shocking production values; all those descriptions do indeed apply to much black metal, but many musicians and producers tailored these low-fidelity values deliberately to create the desired... Continue Reading →