Armchair rhetoric on extreme metal
The First GeometryOut 26th April, self-released Somewhere between the arcane mysticism of formative Greek black metal and the barbaric militarism of early Graveland sits this self-released debut. Richly textured keyboard lines dominate the landscape, leaving the guitars to flesh out a more visceral physicality, with ponderous, mid-paced drums furnishing all with a threateningly understated momentum.... Continue Reading →
The dark satanic content mills vs. Angine de Poitrine Never try to go viral. Thereโs a unique embarrassment that comes with trying to go virality. The kind reserved for TV ads that appropriate internet meme culture. An abyssal exercise in the pathetic stemming from the fact that virality, by its very nature, is a freak... Continue Reading →
Dimension: DaemoniumOut 17th April on Werewolf Finlandโs Vargrav return for another bout of outrageously dense symphonic black metal. Resembling Gnipahรฅlan in their attempt to physically overwhelm the listener with impenetrable waves of guitar and synth led noise, layers that create the illusion of activity despite an axiomatic simplicity locatable at the foundational level. Vargrav remain... Continue Reading →
Blasart: Depravatus Christianis SacrisOut 28th March on Lavadome Productions Overwrought black metal cloaks repetition with subtle shifts in emphasis and pitch, alongside some welcome decorative accents. Chugging thrash articulation beefs up the more fluid intent behind these tracks, only somewhat hampered by the obnoxious domesticity of the hardcore derived vocals. What at first appears to... Continue Reading →
Cruel Force: HanedaOut 27th March on Shadow Kingdom Sits at the playful end of German thrash, emphasising the melodic elements of Destruction circa โMad Butcherโ. On the basis of this material there is a clear effort to align with the rough and tumble of 80s thrash via the period correct mix and throaty vocals, but... Continue Reading →
The Last SuppurationOut 13th March on Extremely Rotten Productions/Unholy Domain/Sevared Records Protrusion punt for a mix of early 90s Floridian death metal and early Gorguts (who were to be fair, also a Morrisound alumni). This results in a pleasingly authentic rerun of percussive death metal as it augments the choppier elements of thrash into a... Continue Reading →
A Monument I Shall Raise in FlameOut 20th March on Werewolf Promotion Polandโs Deathlike Dawn continue the direction set by their previous album โNoc czarna czerniฤ otchลaniโ, extending their tendrils further into semi-chromatic, dissonant territory for this latest release, sacrificing the hazy atmosphere coating 2024โs โAmong the Graves of the Archetypesโ for a more stripped... Continue Reading →
Diabolus, Mecum Semperterne!Out 20th February on Terratur Possessions Dark, fluid, minimalist black metal creates a sense of grandeur by bolstering the near constant tremolo riffing with keyboard accompaniment. That, and the thick reverb covering the mix gives the music a degree of inertia, forcing it into rather simplistic themes that gain greater currency from the... Continue Reading →
Three Faced Trinity for a Two-Faced WorldOut 13th February on Horror Pain Gore Death Productions The obscurantist curveball that is Moonchapel continue their output apace. Following their harrowing debut โChasms of Ash and Inequityโ in 2025, they have since put out two more albums, โFamine Weaponizedโ released the same year, and now we have this... Continue Reading →
Goat at SunsetOut 1st February, self-released Croatiaโs Petrale add to their significant run of releases with another subtle shift in direction. Where 2024โs โThe World Down Thereโ was technically dense but experientially a stripped back, nocturnal journey of dissonant surrealism, โGoat at Sunsetโ wrests this project in a more playful and melodically typical direction. Typical,... Continue Reading →
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