Armchair rhetoric on extreme metal
A hundred death metal albums not from the USA Between 1993 and 1994, death metal popped its head above the underground parapet to peek into the mainstream. From airplay on MTVโs Headbangers Ball, to Morbid Angel being the first death metal band to get major label backing with a signing to Giant Records, to bloody... Continue Reading →
Ultima RequiesOut 26th June on ATMF The third album from this Italian outfit relives the streaming lamentations of the Blazebirth Hall scene, but populates this infamously barren Russian style with stark features by which to navigate. Most obviously via rhythmic variation and clearly marked out phrasing, over and above the addition of rich keyboard decoration... Continue Reading →
Waan van de leegteOut 6th June on Terratur Possessions Similar to the recent Selenite Scrolls in its ability to insert itself into a very crowded style and still find room for a USP. This debut slots in somewhere between early Enslaved and Ulver with a less explicitly folkist orientation. The album washes over the listener... Continue Reading →
Channeling the EgregoreOut 15th May on Medieval Prophecy Records The debut album from this Belgium outfit marries the uncanny, atmospheric mysticism of Beherit and Demoncy with a more symphonic ambition. It borrows the subtle, haunting style of early Ancient or Gehenna, but presents it with a relaxed yet intentional pace. Atmospheric, understated, a little loose... Continue Reading →
ะะฐะทัััััั ะััะฐะฝะฝัะพะผั ะกะฒััะฐะฝะบั (Towards the Last Dawn)Out 29th May on ATMF The debut EP from this Ukrainian outfit is reminiscent of early Abigor in the way it roots a romanticist aspiration in the adventurism of medievally derived melodic lines. But it manages to contain this within an expression of metal at once strikingly energetic and... Continue Reading →
The First GeometryOut 26th April, self-released Somewhere between the arcane mysticism of formative Greek black metal and the barbaric militarism of early Graveland sits this self-released debut. Richly textured keyboard lines dominate the landscape, leaving the guitars to flesh out a more visceral physicality, with ponderous, mid-paced drums furnishing all with a threateningly understated momentum.... Continue Reading →
The dark satanic content mills vs. Angine de Poitrine Never try to go viral. Thereโs a unique embarrassment that comes with trying to go virality. The kind reserved for TV ads that appropriate internet meme culture. An abyssal exercise in the pathetic stemming from the fact that virality, by its very nature, is a freak... Continue Reading →
Dimension: DaemoniumOut 17th April on Werewolf Finlandโs Vargrav return for another bout of outrageously dense symphonic black metal. Resembling Gnipahรฅlan in their attempt to physically overwhelm the listener with impenetrable waves of guitar and synth led noise, layers that create the illusion of activity despite an axiomatic simplicity locatable at the foundational level. Vargrav remain... Continue Reading →
Blasart: Depravatus Christianis SacrisOut 28th March on Lavadome Productions Overwrought black metal cloaks repetition with subtle shifts in emphasis and pitch, alongside some welcome decorative accents. Chugging thrash articulation beefs up the more fluid intent behind these tracks, only somewhat hampered by the obnoxious domesticity of the hardcore derived vocals. What at first appears to... Continue Reading →
Cruel Force: HanedaOut 27th March on Shadow Kingdom Sits at the playful end of German thrash, emphasising the melodic elements of Destruction circa โMad Butcherโ. On the basis of this material there is a clear effort to align with the rough and tumble of 80s thrash via the period correct mix and throaty vocals, but... Continue Reading →
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