Armchair rhetoric on extreme metal
Blasart: Depravatus Christianis SacrisOut 28th March on Lavadome Productions Overwrought black metal cloaks repetition with subtle shifts in emphasis and pitch, alongside some welcome decorative accents. Chugging thrash articulation beefs up the more fluid intent behind these tracks, only somewhat hampered by the obnoxious domesticity of the hardcore derived vocals. What at first appears to... Continue Reading →
Cruel Force: HanedaOut 27th March on Shadow Kingdom Sits at the playful end of German thrash, emphasising the melodic elements of Destruction circa โMad Butcherโ. On the basis of this material there is a clear effort to align with the rough and tumble of 80s thrash via the period correct mix and throaty vocals, but... Continue Reading →
The Last SuppurationOut 13th March on Extremely Rotten Productions/Unholy Domain/Sevared Records Protrusion punt for a mix of early 90s Floridian death metal and early Gorguts (who were to be fair, also a Morrisound alumni). This results in a pleasingly authentic rerun of percussive death metal as it augments the choppier elements of thrash into a... Continue Reading →
A Monument I Shall Raise in FlameOut 20th March on Werewolf Promotion Polandโs Deathlike Dawn continue the direction set by their previous album โNoc czarna czerniฤ otchลaniโ, extending their tendrils further into semi-chromatic, dissonant territory for this latest release, sacrificing the hazy atmosphere coating 2024โs โAmong the Graves of the Archetypesโ for a more stripped... Continue Reading →
Diabolus, Mecum Semperterne!Out 20th February on Terratur Possessions Dark, fluid, minimalist black metal creates a sense of grandeur by bolstering the near constant tremolo riffing with keyboard accompaniment. That, and the thick reverb covering the mix gives the music a degree of inertia, forcing it into rather simplistic themes that gain greater currency from the... Continue Reading →
Three Faced Trinity for a Two-Faced WorldOut 13th February on Horror Pain Gore Death Productions The obscurantist curveball that is Moonchapel continue their output apace. Following their harrowing debut โChasms of Ash and Inequityโ in 2025, they have since put out two more albums, โFamine Weaponizedโ released the same year, and now we have this... Continue Reading →
Goat at SunsetOut 1st February, self-released Croatiaโs Petrale add to their significant run of releases with another subtle shift in direction. Where 2024โs โThe World Down Thereโ was technically dense but experientially a stripped back, nocturnal journey of dissonant surrealism, โGoat at Sunsetโ wrests this project in a more playful and melodically typical direction. Typical,... Continue Reading →
Metal Archives got itself into a bit of a state recently over its poll for album of 2025, seeing an Italian goth/prog/yacht rock/grunge album make the top spot by quite a significant margin. Many were quick to point out the irony of a site like MA, with a reputation for being highly selective about what... Continue Reading →
Una Lama DโArgentoOut 12th December on Time to Kill Records Bracing, fluid death metal achieves a sense of power through ambient riffing that weaponizes repetition as a tool of malevolence. The album is defined by a wall of guitar noise that monolithically frames the parameters through which riffs can work, limiting them to basic, dry... Continue Reading →
This World we Live inโฆOut 12th December on Dolorem Records Mechanical death metal combines elements of clinical industrialism and prog informalities paced out in oddly pulsing sequences. Cryoxyd leverage repetition as an important compositional tool, creating a meditative, almost hyper fixated flow, only to lurch into soaring waves of melodic euphoria. This creates a sense... Continue Reading →
Hate Meditations 