I like the beats and I like the yelling, 2nd November 26

Boarhammer: III: Instruments of Fungal IntentOut 31st October, self-released Germanyโ€™s Boarhammer continue their journey into classically eccentric black metal. The sound remains unmistakably their own (a rare thing in this day and age), paradoxically derived from dipping their toes into an eclectic assemblage of brews. True to their foraging subject matter, one that explores the... Continue Reading →

I like the beats and yelling, 27th October 26

Putred: Blestemul din adรขncOut 20th March on Awakening Records True to the formula laid out on the previous effort 'Megalit al putrefacโ€‹ศ›โ€‹iei', for the most part Putred stick doggedly to plodding, Derketa-esque tempos as a means of both conjuring tension and allowing elegantly simple riff templates to extend their tendrils in multiple directions at once.... Continue Reading →

I like the beats and I like the yelling, 12th October 26

Hรฆnesy: EsentiaOut 25th September on Purity Through Fire Five years ago this Hungarian outfit presented an interesting proposition with โ€˜Garabontziaโ€™, a black metal album crafted almost entirely from clean, reverb drenched guitar lines, working their way through oddly cathartic melodic hooks and chord sequences rich in pathos. There was no denying its proximity to post... Continue Reading →

I like the beats and I like the yelling, 9th October 26

Critical Defiance: Rivers of BloodOut 25th September on Dying Victims Productions 2024 was the year Critical Defiance suddenly caught the attention of a broader international audience with โ€˜The Search Wonโ€™t Fallโ€ฆโ€™, a finely crafted treat of frenetic thrash fair alongside some well integrated oddball moments. The Chilean death and thrash metal scene has pulled well... Continue Reading →

I like the beats and I like the yelling, 6th October 26

Krolok: Hriฤov - Sรบฤพov - LietavaOut 25th September on Osmose Productions Slovakiaโ€™s Krolok continue to grow into their skin with this third offering. A finely balanced ingredients list drawn from central European black metal, from Graveland, to early Root, Cult des Ghoules, and ethereal folk elements lifted from Romanian acts like Negura Bunget. But 'Hriฤov... Continue Reading →

The problem with black metal theory

Book report - Melancology: black metal theory and ecology Dominik Irtenkauf: [black metal theory] seems to be more about speculative interpretations of a musical sub-culture than developing a coherent system of theory. Is that perception correct? Nicola Masciandaro: Yes. I recently had the misfortune of stumbling onto a debate raging across Substack between continental and... Continue Reading →

I like the beats and I like the yelling, 28th September 26

Hail Conjurer: Abyss & EkstasisOut 23rd September on Into Endless Chaos Records / Crypt of the Wizard Over several albums, Finlandโ€™s Hail Conjurer have been offering curiously deconstructive takes on black metal, pivoting on doom metal pacing, depressive moods, and dominant yet oddly fragile synth tones offering an eerily mournful counterpoint to the distorted backdrop.... Continue Reading →

Black metal ambient (Part I)

What does the metalhead do on their day off and why is it ambient? I listened to all the โ€œblack ambientโ€ releases from the 90s to find out. If you were to press me on a pithy definition of metal, I would say it's music written through the organisation of riffs. This means it can... Continue Reading →

I like the beats and I like the yelling, 21st September 26

Mittags-Abgrund: Mittags-AbgrundOut 15th September on Darkness Shall Rise Productions True to the legacy of Russian black metal, this is a piece of impeccably landscaped material, conjuring a fully scoped out environment before our eyes, vast and inhospitable whilst compelling the listener onward, provoking their impulse for exploration. However, Mittags-Abgrund go further in populating this terrain... Continue Reading →

Blog at WordPress.com.

Up ↑