Funereal Presence: Achatius The second offering from Funereal Presence swung off the vine onto my desk the other day: 'Achatius', released early this year. It is truly one of the more unique releases that I have come across in recent years. It revels in a primitivism of decades gone by, namely the older school of... Continue Reading →
Jack of all trades, master of grind: Agathocles and Terrorizer
Grindcore was a real game changer for extreme metal. With one foot in hardcore punk and one foot in death metal, it’s influence can be felt far beyond the obvious. It’s dual heritage also led to a bizarre binary choice for lyricists, politics or gore, and never the twain shall meet. But whatever limitations it... Continue Reading →
Learning the right lessons: The Ruins of Beverast and Nargaroth
When I compare the canonized albums of metal gone by with those of the last ten years or so, I sometimes wonder if we learnt all the wrong lessons. We get bogged down in vague and subjective details, the feel of the music rather than the logic. As music evolves, specific aspects of a sound... Continue Reading →
I like the beats and I like the yelling; Pressor, Cryptic Shift, Of Wounds.
Pressor: Weird Things (2018) After power metal and grindcore, stoner doom is one of the most limiting genres in metal. It's one of our worst kept secrets. But not all limitations are created equal. And where some see limitations, others see a challenge, an opportunity to discover uncharted creative spaces. There are a number of... Continue Reading →
I liked the beats and I liked the yelling: my decade in music
The 2000s were a tedious era to be a teenager. Our youth was set to a backdrop of Star Wars prequels, that frog text alert, and Coldplay existing. It was a largely dormant zeitgeist, punctuated by terror atrocities, illegal wars, and economic collapse. For all the horrors the 2010s have witnessed, it has at least... Continue Reading →
Weaponised riffs: Torchure and Sinister
It’s an agreed fact that genre saturation eventually leads to genre decline. It’s also an agreed fact that this happened to death metal by around 1993/4. But was this as simple as genre saturation, or simply saturation of subpar music? The risk – for the interested fan – is in simply sticking to the same... Continue Reading →
Why do people like black metal?
The other day I find myself trapped in a Youtube hole when this video cropped up: https://www.youtube.com/watch?v=ybohhW7pf74 It’s a fairly standard clickbait screen rant. I’ve watched a few from this chap in the past. His ‘What Killed the Genre’ series offers some distracting summations of various genres of metal and rock. As with any... Continue Reading →
I like the beats and I like the yelling: Megalith Levitation, Written in Torment, Foreseen
Megalith Levitation: Acid Doom Rites In many ways the true heir to Electric Wizard’s ‘Come my Fanatics’, this wholesome slab of murky doom metal is a big old beast to tackle. And just like CMF, Megalith Levitation’s first LP ‘Acid Doom Rites’ offers a few lessons in undertaking the delicate balancing act that is doom... Continue Reading →
I like the beats and I like the yelling: OND, Irillion, Pallas Athena
OND: Carve Prog-thrash rising stars OND are back with the timely new single ‘Carve’, which tells the tale of a pumpkin being carved…from the point of the view of the pumpkin. For a metal song that sincerely explores this subject matter, this about as good as it could possibly be. ‘Carve’ sees OND once again... Continue Reading →
Mechanical horrors: Desecresy and Black Funeral
Industrial’s influence on extreme metal is probably greater than I tend to give it credit for. For all its shortcomings as a genre, some industrial has a unique atmosphere and energy to it that – when properly harnessed – is all its own. Its history has been almost as long and rich as metal’s, although... Continue Reading →