Fair enough, the title is somewhat hyperbolic, but it’s time to take a look at two foundational death metal artists as they were in the middle of their careers. These are selected from the two towers of American death metal: New York and Tampa. By the late 1990s it’s fair to say death metal was... Continue Reading →
Neo-Romanticism or silliness incarnate?: Dimmu Borgir and Abigor
Old days are passing into younger days. In the late 1990s, with the millennium on the horizon, black metal was established enough, and ubiquitous enough, to have a ‘typical’ version of itself. Variations abound. But by this time there was now such a thing as a ‘standard’ black metal riff, usually made up of minor... Continue Reading →
Spotify and the end times
Not half way through December Spotify asked me to do the year end number crunching. I happily obliged, despite my misgivings about excluding stats from late December. Apparently I had listened to over 7000% more minutes of music in 2018 than in 2017. I verified the data. I’m not sure I had Spotify in 2017.... Continue Reading →
Morbid grind: Nuclear Death and Blood
Grindcore - that furiously primitive bolt-on to death metal - got cruel and weird in the early 1990s; otherwise known as the end of history. What started as a one dimensional catalyst for new levels of making an unholy racket suddenly morphed into extreme metal’s equivalent of an avant-garde movement. Not all grind went this... Continue Reading →
The noise endures: Immortal and Varathron
It’s 1995, some of black metal’s most revered works have already been released, and many of the musicians responsible are now behind bars. But the movement is stronger than the murderous actions of one or two people. Music is louder than words and wider than pictures. Well, it's certainly louder than murder anyway. What better... Continue Reading →
Death metal…I’m afraid the Americans did it better: Incantation and Suffocation
Okay, so if we’re weighing it up against European death metal alone it’s a close run thing when you look at the early output of Therion, At the Gates, Bolt Thrower and Dismember, but in terms of quality and quantity I’m afraid the Americans just clinch it. And it’s consistent workhorses like these two artists... Continue Reading →
Symphonic nocturnal majesty: Rotting Christ and Emperor
Musical extremity is a means to an end. This fact is perfectly demonstrated by the two artists we’ll be looking at this week. If black metal is not abrasive and obscure then it’s dramatic and symphonic, a combination which often leads to cheese. But here we have two studied sets of musicians who knew their... Continue Reading →
Tortured spectres of the macabre: My Dying Bride and Type O Negative
With the rise and rise of extreme metal came a competing trend for many musicians to return to music of humanity. Away from esoteric spiritualism, death, gore and war, a clutch of artists arose who wished to leave their own stamp on familiar themes, and started writing what can only be described as loves songs... Continue Reading →
The Story of Anvil: The endearing comedy of art that tries too hard
‘The Story of Anvil’, released in 2008, follows failed Canadian heavy metal band Anvil as they embark on a disastrous European tour and endeavour against all the odds to release their thirteenth studio album ‘This is Thirteen’. The film opens with footage of Anvil playing at a festival in Japan to a packed out crowd... Continue Reading →