Dystopia Chic: Fear Factory and Pitchshifter

In the early 1990s thrash metal and death metal came down with a severe case of something called ‘groove’. Patient zero was probably Sepultura, who caught groove from an unnecessarily macho flee; known to science as ‘Pantera’. Other notable sufferers included the likes of Slayer, Napalm Death, Destruction, and many more. This only worsened as... Continue Reading →

The end of history: Painkiller and Abruptum

Mischaracterising the Cold War’s end as the end of history has since morphed into an amusing theoretical anecdote; a historical touchstone for our own turbulent age; as if desperately exploring every aspect of the early 1990s will provide clues to our future. For underground metal however, a case can be made for our history’s end... Continue Reading →

For the Love of Melody: Paradise Lost and Samael

Following the explosion of (what can only be called) mainstream success for death metal in the late 1980s and early 1990s, a backlash was inevitable. Growing out of grassroots tape trading and zine distribution, analogue social media if you will, death metal had caught the attention of major TV channels, record labels, and concerned parents,... Continue Reading →

Miserable Death: Winter and dISEMBOWELMENT

Doom metal takes many forms. The stoner doom variant, otherwise known as acceptable metal for non-metalheads, is the most direct descendant of Black Sabbath. The epic doom variant championed by the likes of Candlemass is essentially a slowed down form of traditional heavy metal. Then in the late 1980s doom became an optional add on... Continue Reading →

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