Armchair rhetoric on extreme metal
Christus VenariOut 12th September on Personal Records Choppy, frantic death metal channels the frenetic energy of early Deicide into an explicitly gothic darkness. Borrowing the aesthetic material accrued from more populist extreme metal strains in the form of early 2000s Behemoth, refocusing what was previously empty fanfare into an efficient, tight, yet no less diverse... Continue Reading →
Poems of SpellcraftOut 24th October on Chaos Records The debut album from this German entity draws on a thread of UK black metal (such as it is) most infamously expressed by Cradle of Filth and Hecate Enthroned, later by Old Corpse Road and A Forest of Stars. Histrionic, gothic, and unconcerned with what the listener... Continue Reading →
Pestilential HymnsOut 20th October on Memento Mori Thaumatrugy upgrade themselves from the competent but commonplace chasmic death/doom of the debut into a more holistic statement of extreme metal. Reinvigorating the increasingly murky territory between black and death metal with a clarity that can only come from a rigorous riff discipline. The demo phase of Swedish... Continue Reading →
Victimarum: Seitsemän soihdun valossaOut 11th October on Signal Rex This brighter iteration of melodic black metal manages to achieve a sense of activism and storytelling in a way that pushes back against the empty anthemism rampant in the genre since its 90s heyday. But despite the album starting strong, Victimarum are unable to sustain their... Continue Reading →
LoreOut 3rd October on Eleventh Key I often use the term “world building” when writing about music. It’s probably worth clarifying what I mean here. History may remember early 21st Century music not in terms of artistry, but granular developments in technological. Developments that may have seemed small and incremental in isolation, but at the... Continue Reading →
Isen: Zaklinani posledni zimyOut 5th September on Northern Silence Productions Basic, repetitive black metal achieves a sense of triumphalism through a gradualist development of riffs. Each one is treated more like a single refrain, repeated ad infinitum to create a sense of size and scope. This is subsequently forced through subtle shifts in emphasis and... Continue Reading →
MercatorOut 12th September on Redefining Darkness Records Heruvim locate the carefree bounce of Pestilence circa ‘Spheres’ within the dark chasmic setting of modern death metal, flattening off progressive nuance in favour of creating something more accessible from the raw material. Demilichian chromaticism is recruited as binding material, linking the progressive allusions with the nihilism of... Continue Reading →
Výstup k svätej KundeOut 29th August, Nomad Sky Diaries Porenut harness a wealth of competing strands both in and outside of metal to craft a surprisingly compact statement of uncanny black metal for this latest outing. Previous offerings were perhaps a little too whacky for their own good, but here these eccentric details are properly... Continue Reading →
Lord of Two HornsOut 27th June on Nuclear Winter Records Drawn and Quartered remind us that – despite my growing cynicism – you should never write anyone off before their time. 2021’s ‘Congregation Pestilence’ was a tight but forgettable iteration of dark American death metal. One that led me to conclude that we could expect... Continue Reading →
Kill the bliss At the risk of sounding infantile, I’ve come to hate summer. Aside from the needlessly long, skin damaging days, the clammy, sleepless nights, and the ambient good cheer of outdoor folk, life seems to reserve its more challenging scenarios for the summer months. I usually turn to the suffocating activity of death... Continue Reading →
Hate Meditations 