Armchair rhetoric on extreme metal
Aedes: Odius ImprecationOut 31st January on Blood Harvest (originally released in 2023) Essentially a modern love letter to early Morbid Angel via the more chromatic tangents of the mid-90s exercised by Trey and the gang alongside Immolation. Whether intentional or not, there is a rawness to the delivery, a sense in which the music is... Continue Reading →
Tribulated BellsOut 24th January on Hammerheat Records (originally released in 1992) Coinciding neatly with our recent discussion on Chilean metal comes this reissue from Hammerheat Records of Sadismโs โTribulated Bellsโ, an early intervention in Chilean extreme metal. Notable alongside the likes of Torturer for being one of a handful of bands to make inroads into... Continue Reading →
Vspolokh: ะัััะฒะพะทะตะผัOut 25th December on Purity Through Fire Coats the stoic austerity of Slavic black metal with a dusting of populist melodic metal sugar, resulting in an exhilarating and rewarding experience on a visceral level, but one that nevertheless leaves one feeling cheated. Architecturally, there is a clear articulation of identity, intent, and purpose. A... Continue Reading →
The unlikely story of dungeon synth By Jordan Whiteman Iโm a longtime fan of black metal. In that capacity I was familiar with the music we now call dungeon synth long before its so called revival in the 2010s. Iโve maintained a mild curiosity about it ever since. Given all that, I would have thought... Continue Reading →
Megalit al PutrefacศieiOut 20th January on Memento Mori Not far into this competent but generic rendition of slow, primal, backward looking death metal, I was struck by a particular guitar lead that sounded awfully familiar. I immediately looked Putred up and found that they were from Romania. Another Romanian outfit (just) made my top picks... Continue Reading →
At the Altar of the Horned God: ElementsOut 13th December on I, Voidhanger Records Having already signalled their love of various goth formulas through their manipulation of ritualistic melodrama and black metal furniture to create a kind of hybrid style that was appealing in concept even if it fell short in execution, itโs unsurprising to... Continue Reading →
A Touch of EternityOut 16th December on Loud Rage Music (originally released in 1997) Given the reserved, no thrills demeanour of my native North of England, itโs always puzzled me that a variant of overtly emotive, randy, flamboyant death metal bubbled up here in the early 1990s. The drab poise of the Peaceville bands certainly... Continue Reading →
The riddle of steel So that was Christmas. The auditing fury of December gives way to new projects launched, ideals dusted off, promised resolutions, and a renewed drive to make life better, cleaner, more focused, efficient, slicker, or otherwise optimised. If youโre a hustler psychopath that is. For normal folk it just means a fucking... Continue Reading →
Words by Jason Kiss Preface It is evident that the new Mefitis release, The Skorian // The Greyleer, has faltered in terms of gaining underground traction. Despite the promotional machinery of Earsplit Compound and the substantial backing of Profound Lore Records, the Spotify listenership remains very meager, reviews are scarce, and I cannot help but apprehend... Continue Reading →
I went into shortlisting for this year expecting to barely scrape together twenty releases worth of calling out. Instead Iโve actually struggled to keep the list south of forty. 2024 has been a rare year where both the overground and underground seem to be in agreement on the uptick in quality (for entirely different reasons... Continue Reading →
Hate Meditations 