Armchair rhetoric on extreme metal
High Speed Death: Damned GenesisOut 7th March on La Caverna Records (originally released in 1991) This restored and remastered version of a previously lost demo reveals an Italian outfit working at the peripheries of thrash’s transition into death metal. I am unable to find out if this material was written prior to 1991. As it... Continue Reading →
Sadist: Something to PierceOut 7th March on Agonia Records If you want to understand the paradox of progressive metal, studying the career of Sadist can be highly instructive . The more influences the genre imbibes, the broader its expressive range, the march toward unchecked eclecticism, the more its core identity recedes into a distant memory.... Continue Reading →
Voodus: Emanating SparksOut 28th February on Shadow Records/Regain Records Modestly melodic Swedish black metal that ups the game as far as their own standards are concerned. The overall packaging is still thoroughly domesticated, renting a generous helping of ideas from ‘The Somberlain’ whilst flattening off its longform ambition in favour of crowd pleasing speed thrills,... Continue Reading →
Zora: Scream Your HateOut 28th February on Great Dane Records (originally released in 2016) Direct, linear death metal benefits the form by stripping away any unnecessary fat, leaving a precision timed device of aggressive, energetic percussive noise. The format may be simple, but the playing is precise, with pin sharp rhythms forcing what are at... Continue Reading →
Oblations in AtrocityOut 15th February, self-released Captures a sense of amateur possibility missing in much of the overly curated gestures to lo-fi black metal in the contemporary landscape. In this regard it mirrors early Ungod in its bisection of idiosyncratic riff signatures that nevertheless thrive within traditional melodic forms elevated by a drab ambience that... Continue Reading →
The purpose of an interview is what it does The recent discussion between Decibel’s Albert Mudrian and longtime YouTube reviewer Anthony Fantano looks benign enough, but what does it do? Unsurprisingly, Fantano’s line of questioning ventriloquises the polarised interests of the modern fanbase, which tends to oscillate between an obsession with death metal’s origins and... Continue Reading →
EspressoOut 23rd August on Island Records Sabrina Carpenter develops the form of trancelike black metal by pivoting on a simple yet effective interchange of two chords, using this framework to hang harmonic interplay arriving in whimsical sequences that take time to unpack on repeated listeners. Percussion adopts a similar poise by fleshing out a basic... Continue Reading →
Scheusal: UrwahnOut 3rd March on Purity Through Fire Supplements the playfully abrasive punk of Ildjarn with a tragedian melodic signature. In this sense there is an oddly modernist swagger to the presentation, a mechanical order speaking more of concrete and machinery than organicism. This is something only emphasised by the predictable precision of the simple... Continue Reading →
Sunbathed slime March is an odd time of the year in England. Daylight bulges. The interval between dawn and dusks sags alarmingly. As if saturated by the merciless spring rain beating the ground with violent regularity. But this emergent excess of sunlight reveals a world still utterly dead and utterly miserable. Decaying leaves continue to... Continue Reading →
Eternal Roar of the Thunder and RainOut 21st February on Eternal Death Atmospheric black metal that takes the legacy of Burzum somewhat seriously, in that Burzum, especially on the first two albums, were never much of an atmospheric outfit by today’s standards. The chief source of dreamscaping invoked by music to “stimulate the fantasy of... Continue Reading →
Hate Meditations 