#53 – Jarno Nurmi (Serpent Ascending, Desecresy): Jarno from Serpent Ascending, Desecresy, Nerlich, Slugathor, etc joins today to discuss the new Serpent Ascending album Hyperborean Folklore as well as Finnish metal and culture. Hyperborean Folklore is truly from left field and casts nowadays metal convention to the wind. Shelley from www.hatemeditations.com and Metalegion Magazine returns as cohost.

#52 - On the Metaphysics of Death: Philosophical roundtable on the metaphysical and ontological side of reality in terms of the inevitable expiration date, correlations to metal, the human condition, and so forth. There’s a lot to unpack in this episode. Brett Stevens from http://www.deathmetal.org and the author of “Nihilism: A Philosophy Based in Nothingness and... Continue Reading →

#51 - Dead Space Chamber Music: Coming soon to a crypt near you! Ellen and Tom from the avant garde early music industrial quartet Dead Space Chamber Music join the program to discuss their philosophy, motives, and perspectives. Their music is hard to categorize yet very accessible. Ellen and Tom grant much insight into the... Continue Reading →

#50 - Mike Hill (Tombs, Scorpion Throne, Everything Went Black): Mike Hill from USBM bands Tombs, Scorpion Throne, and the progenitor of Everything Went Black Media joins for today’s episode. Topics include the enigmatic nature of Tombs, Mike’s assimilation of influences into his expression, as well as other topics such as elitism. He is a... Continue Reading →

The Wakedead Gathering: ParallaxiomOut 15th July on I, Voidhanger Records ‘Parallaxoim’ is a classic example of death metal repositioned as material for fleshing out a high concept narrative, something that tends to provoke more suspicion than delight if we're being completely honest. Metal has always been steeped in its thematic material, a biproduct of attempting... Continue Reading →

Midnight Odyssey: Echoes of a Celestial RuinOut 15th July on I, Voidhanger Records In one sense the career of Midnight Odyssey could be read as a noble attempt to salvage some semblance of meaning from the “post” black metal project. However innocent post black metal's origins may have been, it quickly became a destructive and... Continue Reading →

Detractors often dismiss Gorgoroth as an also-ran of Norwegian black metal. Serviceable but ultimately superfluous to the achievements of their contemporaries. This position is only entrenched – and justified – by the Gorgoroth entity as it became under the stewardship of Gaahl and King ov Hell at the turn of the century. A slew of... Continue Reading →

Pharmacist: Flourishing Extremities on Unspoiled Mental GroundsOut 1st July on Hells Headbangers As I if trying to remarry the rockist flirtations of Carcass circa ‘Necroticism’ through to ‘Heartwork’ with the brutalist sobriety of early goregrind, Japan’s Pharmacist strike a welcome balance of urgent proselytizing against playful groove driven riffing. Indeed, so strikingly reminiscent of Carcass... Continue Reading →

Even a genre as proud of its individualism as metal pivots on shared spaces, shared action, shared meaning, and shared purpose. Today we are encouraged to atomise our efforts, create individual digital platforms from which to craft our brand. Those meetings that do occur in the flesh are no longer a celebration of collective experience... Continue Reading →

Saor: OriginsOut 24th June on Season of Mist ‘Call of the Carnyx’ opens Saor’s latest album ‘Origins’, a track seemingly crafted as a whistle stop tour of the Saor’s aspirational Highland folk remit. A wash of sounds evocative of open plains, towering mountains, tranquil lakes, and dark forests greet the ear. All rendered through open,... Continue Reading →