30 Immolated ; 16 Returned: The Burial of the Dead - Excerpts from Stravinsky's The Rite of Spring (2021) It’s seems oddly fitting that avant-garde metal has led us to Stravinsky. Taken one way, 30 Immolated ; 16 Returned’s latest EP ‘The Burial of the Dead - Excerpts from Stravinsky's The Rite of Spring’ is … Continue reading I like the beats and I like the yelling: 30 Immolated; 16 Returned, Snet, Coscradh

Josh Homme of Kyuss and Queens of the Stone Age notoriety famously rejected the stoner rock label. Rife with subtext that this is music exclusively by and for stoners, to be enjoyed whilst high. But it seems the more you resist, the stickier the tagline becomes. Kyuss are now considered one of the archetypal stoner … Continue reading Burn one up: The Obsessed and Kyuss

It was the best of times, it was the worst of times. Dickensian cliches aside, the 1990s were perhaps the most forward looking and adventurous years for metal. Sure, we could analyse this decade as the regicide of death metal and thrash at the hands of alt metal (and later nu metal), we could analyse … Continue reading Metal’s Retromania Part IV: The Icarus factor

Cleavercult: Promo (2021) 2021 sees the release of two new promo tracks from Greek death metal outfit Cleavercult. Despite the invocations to a gore aesthetic in the band’s moniker and logo, the tracks themselves stick to a traditional sense of melody which – combined with the fluid and imaginative approach to rhythmic interchanges – grants … Continue reading I like the beats and I like the yelling: Cleavercult, Voland, Hecatomb, ŹMIARĆVIEŁY

Hymnr: Far Beyond Insanity (2021) True to form for black metal emanating from the vastness of Russia, Hymnr’s debut follows in the footsteps of Forest, Walknut, and a considerable dose of Ukraine’s Hate Forest. The key to this style is the layering and texture of the guitars. As long as the aesthetic foundation embodies a … Continue reading I like the beats and I like the yelling: Hymnr, Ungfell, Perilaxe Occlusion

A common question in metal circles regards new sungenres that took root in the 2000s. Subgenres with the solidity of thrash, death, or black metal that is. Folk metal, depending on your perspective, could strengthen or weaken the case for contemporary innovation in metal on a par with the 80s. It's not entirely clear what … Continue reading Across the open sea: Primordial and Mael Mórdha

Atvm: Famine, Putrid and Fucking Endless (2021) Hailing from that there London, Atvm have dropped their debut LP ‘Famine, Putrid and Fucking Endless’ into our laps this year. If 2015’s ‘Out of Chaotic Waters’ was a promising chrysalis of an EP, they have now confronted us with nearly an hours worth of bizarre multifacted death … Continue reading I like the beats and I like the yelling: Atvm, Askog, False Emperor

Today I’d like to look at two shining examples taken from different traditions within underground metal. In particular how they both tap into what’s commonly referred to as the “spirit of metal”, despite their stylistic and thematic divergences. One is taken from the fantastical and occult backdrop of the Lovecraftian mythos, which finds its voice … Continue reading A tale of two halves: Shub Niggurath and Neurosis

A tough love letter I was on the point of losing patience with dungeon synth entirely when I came across the oh-so whimsical project called Garden Gnome, who have just put out an album entitled ‘True Gnomewegian Dungeon Synth'. With a name and cover art that strain credulity, it appeared the genre had finally disappeared … Continue reading Garden Gnome, or how I learned to stop worrying and love dungeon synth

Niadh: Our Victory is Eternal (2016) The debut LP from the Colombian black metal outfit known as Niadh is seeing a reissue on Eternal Death records this year. For straight-down-the-barrel black metal this is about as basic as they come. However, I would like to caveat this judgment before we make too much of the … Continue reading I like the beats and I like the yelling: Niadh, Nekromantheon, Ifrinn