Armchair rhetoric on extreme metal
Depths of SufferingOut 31st October on Lavadome Productions The rough presentation of this album cloaks a well oiled machine of dramatic, borderline orchestral death metal. The music’s darkness emerges not from a drab, introspective melancholia, but from a pervasive, ambient gloom, as if we were in the presence of some unknowably vast presence, be it... Continue Reading →
SAD: Fullmoon’s Bestial AwakeningOut 31st October on Purity Through Fire SAD continue their quest to appropriate generic second wave black metal sweet-nothings into what is essential punky rock ‘n’ roll. Despite the length of this album, and indeed the considerable girth of the tracks within, there is little to suggest they have expanded into a... Continue Reading →
Ialdabaoth: G.O.A.T. / S.C.O.P.E.Out 13th March on All Is Threat Lo-fi, frantic black metal pulling from the futurist undercurrent of the genre, here reimagined as a random, feral entity, defined by illogical fits of violence, laboured interludes of despair, and uncanny structuralism. Despite the demo quality production – something utterly incapable of containing the flamboyant... Continue Reading →
Christus VenariOut 12th September on Personal Records Choppy, frantic death metal channels the frenetic energy of early Deicide into an explicitly gothic darkness. Borrowing the aesthetic material accrued from more populist extreme metal strains in the form of early 2000s Behemoth, refocusing what was previously empty fanfare into an efficient, tight, yet no less diverse... Continue Reading →
(There are only four) Metal subgenres don’t exist. I think we’ve imagined them all. I’ve run the numbers, and by my count there’s only ever been four. “How could we have been so wrong about this?” you ask. I don’t know, but I’m going to expend considerable effort wildly speculating regardless. I curse my spare... Continue Reading →
UnwellOut 31st October, self-released Somewhere between jazz, industrial, progressive doom, and ambient comes this concept EP preoccupied with the theme of mental degradation. The narrative follows an elderly dementia patient in a nursing home, “haunted by the spirits of two children who claim he murdered them decades ago”. In keeping with the artist’s moniker, the... Continue Reading →
Poems of SpellcraftOut 24th October on Chaos Records The debut album from this German entity draws on a thread of UK black metal (such as it is) most infamously expressed by Cradle of Filth and Hecate Enthroned, later by Old Corpse Road and A Forest of Stars. Histrionic, gothic, and unconcerned with what the listener... Continue Reading →
Atavistic Passage: Demonstration TwoOut 9th October on MoH Creations Ritualistic dark ambient collides with raw black metal, creating a sense of occasion through simple melodic refrains reduced to drone form, onto which are added basic harmonic development. This gives the music a feeling of opening out, of creating space from a place of restriction, an... Continue Reading →
Pestilential HymnsOut 20th October on Memento Mori Thaumatrugy upgrade themselves from the competent but commonplace chasmic death/doom of the debut into a more holistic statement of extreme metal. Reinvigorating the increasingly murky territory between black and death metal with a clarity that can only come from a rigorous riff discipline. The demo phase of Swedish... Continue Reading →
Words by Jason Kiss Only Death is Real “Only Death is Real” is one of the most endearing slogans of the extreme metalunderground. The phrase was first brought into metal lexicon by Hellhammer, later reformed as Celtic Frost, in the track “Messiah” on their 1983 demo Satanic Rites. Since then, it has become a sacred... Continue Reading →
Hate Meditations 