Here we have two artists that took the basic building blocks of primitive extreme metal as it was in the early 1990s, and produced music not of this earth. Black metal of this era will forever be mired in the actions and words of individuals within the scene. I’ll be dealing with none of that... Continue Reading →
For the Love of Melody: Paradise Lost and Samael
Following the explosion of (what can only be called) mainstream success for death metal in the late 1980s and early 1990s, a backlash was inevitable. Growing out of grassroots tape trading and zine distribution, analogue social media if you will, death metal had caught the attention of major TV channels, record labels, and concerned parents,... Continue Reading →
Political correctness and the virtue of causing offence
Defining words and actions as offensive is tantamount to declaring that your feelings have been hurt. This idea is nothing new. But people have extrapolated on this simple fact, and manufactured it into an anti PC war-cry. Advocates of political correctness are accused of trying to create a world without offence. Of trying to manufacture... Continue Reading →
Entropy of the family tree: has metal’s genre addiction reached breaking point?
It’s a well-established fact that metal has an unhealthy addiction to genre classifications. One look at our database over at metal-archives will tell you as much. It is not just the sheer volume of genres – many of which are just the same groups of words shuffled around a bit – it’s also how important... Continue Reading →
New Puritanism, New Mavericks, Censorship and The New Right
The other day I was walking to work listening to Slaughtbbath, a standard fair primal black metal outfit from Chile. And like the vast majority of dirty black metal artists, they ‘sing’ about blasphemy, desecration of the sacred, gore, death, all the lovely violent themes common to this violent variant on extreme metal. Occasional lyrics... Continue Reading →
Miserable Death: Winter and dISEMBOWELMENT
Doom metal takes many forms. The stoner doom variant, otherwise known as acceptable metal for non-metalheads, is the most direct descendant of Black Sabbath. The epic doom variant championed by the likes of Candlemass is essentially a slowed down form of traditional heavy metal. Then in the late 1980s doom became an optional add on... Continue Reading →