Armchair rhetoric on extreme metal
Na utriniOut 27th December on Osmose Productions CMPT’s debut album ‘Krv I pepeo’ released in 2021 caught me off guard for its slick development of Burzum style black metal, dragging the form in a more expressively riff based direction whilst retaining the liminal, dreamlike atmosphere that seems so lacking in many paler imitations of Varg’s... Continue Reading →
FolkstormOut 25th December on Purity Through Fire With a release schedule as adversarial as its nature, a lot of black metal tends to come out in the latter half of December. As if to disrupt pundits keen on tying up their AOTY lists before Christmas. Gnipahålan, as a shamelessly traditional, lavish, opulent, overwhelmingly cacophonous outlier... Continue Reading →
Peccatum MortiferumOut 13th December on Void Wanderer Productions Energetic, warm occultist black metal with aspirations toward high melodicism, and subtle yet effective gestures toward epic narrative storytelling. The soft, pillow punching snare combined with a bass guitar lead and a generally strained and dramatic poise will inevitably invite comparisons to Necromantia, Mortuary Drape, or Master’s... Continue Reading →
Perdition’s Mire: Into a Dark HeartlandOut 13th December on Headkick Music At one point these impotent guitar lines were probably reasonable black metal riffs. Onto this framework is draped a tedious exercise in self-therapy. Because this band’s focus is on individualised inner struggle they have nothing useful to say beyond meaningless gestures on why life... Continue Reading →
Thunraz: Incineration DayOut 22nd November, self-released Sterile, mechanical, jagged death metal meets an undercurrent of dark gothic atmosphere on the latest album from this Estonian entity. There is a clear intent to blend the abstracted violence of death metal with a more grounded, artificial aesthetic. Despite the clear industrial current running throughout 'Incineration Day', one... Continue Reading →
Iniquitous Savagery: Edifice of VicissitudesOut 22nd November on Willowtip Records The clutter of brutal death metal covers a tendency toward a simple binary of slam breakdowns and tremolo melodic blasts. But predictable is another word for reliable. Despite the somewhat limited phrasing, each theme is framed by tangents and ornamentation interesting enough to elevate this... Continue Reading →
Musicians are organic entities subject to the laws of nature. Bands are abstract concepts theoretically capable of immortality. Musicians get old. Retire. Die. Bands often endure in Trigger's Broom form, limping on, replacing discarded limbs. Until we are forced to ask: what even is a band? In the case of Cradle of Filth, Asphyx, or... Continue Reading →
The World Down ThereOut 2nd November, self-released Croatia’s Petrale return for another skirmish of suffocating, eerie, dissonant black metal. This latter descriptor is liable to evoke images of cold, clinical, sterile music replete with jagged edges, tempo change incontinence, and aspirations toward headier subject matter. None of which is completely absent from the world of... Continue Reading →
Bridges to nowhere October opens the gateway to winter. Darkness makes inroads into our lives. The vestigial traces of summer ebb away by the end of the tenth month. Declining temperatures herald the arrival of November’s high autumn. This particular October has also brought with it a glimmer of the Northern Lights to my... Continue Reading →
Carmina Belli ApocalypsisOut 28th October on Black Mass Prayers Armed with a dark medievalist paint job, a murky atmospheric gloom, and a dynamic compositional package, this pleasing Italian oddity attempts a synthesis between early Satyricon and the suffocating malevolence of Demoncy. At times the results are about as unfocused as one might expect. Valadier have... Continue Reading →
Hate Meditations 