Armchair rhetoric on extreme metal
High Speed Death: Damned GenesisOut 7th March on La Caverna Records (originally released in 1991) This restored and remastered version of a previously lost demo reveals an Italian outfit working at the peripheries of thrash’s transition into death metal. I am unable to find out if this material was written prior to 1991. As it... Continue Reading →
Sadist: Something to PierceOut 7th March on Agonia Records If you want to understand the paradox of progressive metal, studying the career of Sadist can be highly instructive . The more influences the genre imbibes, the broader its expressive range, the march toward unchecked eclecticism, the more its core identity recedes into a distant memory.... Continue Reading →
Voodus: Emanating SparksOut 28th February on Shadow Records/Regain Records Modestly melodic Swedish black metal that ups the game as far as their own standards are concerned. The overall packaging is still thoroughly domesticated, renting a generous helping of ideas from ‘The Somberlain’ whilst flattening off its longform ambition in favour of crowd pleasing speed thrills,... Continue Reading →
Zora: Scream Your HateOut 28th February on Great Dane Records (originally released in 2016) Direct, linear death metal benefits the form by stripping away any unnecessary fat, leaving a precision timed device of aggressive, energetic percussive noise. The format may be simple, but the playing is precise, with pin sharp rhythms forcing what are at... Continue Reading →
Oblations in AtrocityOut 15th February, self-released Captures a sense of amateur possibility missing in much of the overly curated gestures to lo-fi black metal in the contemporary landscape. In this regard it mirrors early Ungod in its bisection of idiosyncratic riff signatures that nevertheless thrive within traditional melodic forms elevated by a drab ambience that... Continue Reading →
EspressoOut 23rd August on Island Records Sabrina Carpenter develops the form of trancelike black metal by pivoting on a simple yet effective interchange of two chords, using this framework to hang harmonic interplay arriving in whimsical sequences that take time to unpack on repeated listeners. Percussion adopts a similar poise by fleshing out a basic... Continue Reading →
Eternal Roar of the Thunder and RainOut 21st February on Eternal Death Atmospheric black metal that takes the legacy of Burzum somewhat seriously, in that Burzum, especially on the first two albums, were never much of an atmospheric outfit by today’s standards. The chief source of dreamscaping invoked by music to “stimulate the fantasy of... Continue Reading →
Tubal Cain: Slime AbyssOut 27th February on Darkness Shall Rise It remains curious to look at black metal as the completion of metal's evolutionary circle. A symptom of the hysteria and panic that gripped metal fans as death metal bands proudly displayed their tracksuits and time signatures. Black metal’s closer alliance with linear heavy metal... Continue Reading →
The official history of Immolation By Kevin Stewart-Panko Immolation are the band that made me fall in love with death metal. Having purchased ‘Dawn of Possession’ on a whim back in 2005(?) on one of many surreptitious trips to Guildford HMV, something about this album clarified the small print of this genre for me. For... Continue Reading →
Vengeance EvangelOut 14th February on Lavadome Productions “Technical death metal” is a problematic label. Genre names often refer to some specific technique or dominant feature of the music itself. To apportion off a subgenre by simply asserting that it’s more technically demanding than its mothership can be something of a misnomer. Just exactly how or... Continue Reading →
Hate Meditations 