Armchair rhetoric on extreme metal
Why is metal such a stubbornly perennial passion? I’d venture that it’s not just the intensity and obsession it provokes, but just how deep and far the genre spread across the globe. If you ever feel the need to refresh your listening rotation, you can pretty much close your eyes and point to a place... Continue Reading →
Wreathed in Dead AngelsOut 25th April on Hells Headbangers I was beginning to think that Profanatica were flagging by the time ‘Rotting Incarnation of God’ came out. With retrospect one could appreciate the intention behind the choice to veer toward a more considered, ambient doom iteration of their signature ferocity. But given the unique barbarism... Continue Reading →
Ahamkara: The Harrow of the LostOut 25th April on Bindrune Recordings Blends the vast sweeping atmospheres of Wodensthrone and the idiosyncratic polyphony of Obsequie into a vapid mulch of emo black metal. Trivial harmonic material decorates a slue of anthemic riffs rendered with a black metal aesthetic for an audience incapable of confronting the music's... Continue Reading →
Chasms of Ash and InequityOut 9th March on Blackened Label Records Metal Archives genres are an interesting thing. The site goes out of its way to stay as broad as possible. I generally agree with this policy. I may even go broader (there are only four metal genres and I will die on that hill).... Continue Reading →
Screaming with no face The Englishman’s reflex for emotional repression is unmatched. But even he will experience particularly challenging periods, periods liable to breed emotions faster than they can be slaughtered. The obnoxiously clement weather mocking any attempts to wallow in peace. In such times, his fine tuned ability to kill emotions in their cradle... Continue Reading →
Impious Throne: Suffering Out 11th April on ATMF – De Tenebrarum Principio (originally released in 2024) Despite the brevity of this album, one can’t help but wish for some heavy handed editing. Frantic, riff centric, immediate black metal succeeds in conveying a tragedian gravitas and sense of occasion. But Impious Throne are forever saddling themselves... Continue Reading →
Vortex of the DestroyerOut 28th March on NoEvDi Records One could read Svartsyn as a direct descendant of ‘De Mysteriis Dom Sathanas'. In the sense that this is one way of achieving a “post riff” form of black metal without leaning on ambience. Rudimentary riffs are still present and correct, but their existence is now... Continue Reading →
Hateful Draugar from the UndergroundOut 28th March on Darkness Shall Rise Synthesises elements of early Enslaved with Burzum to great effect, but veers away from the detached cinematic narratives of the former, into something closely resembling the understated folk narratives of Isengard. The result is a satisfying reaffirmation of black metal as both an atmospheric... Continue Reading →
Words by Jason Kiss The Deep When we describe something as deep, we often imply that it goes beyond the surface and holds a kind of significance that eludes the realm of the superficial. Depth stands in opposition to shallowness and points toward a more reflective and nuanced reality than the socially accepted “truths” of... Continue Reading →
The Ichor of ChimeraOut 28th March on No Remorse Records Following the promising ‘Visions of Esoteric Splendor’ split in 2021 with Ezra Brooks, Serpent Rider return with an unapologetically heavy metal debut, sidelining the extreme metal elements of the EP. This is done for the sake of expanding on rich, longform tracts of classic metal... Continue Reading →
Hate Meditations 