Armchair rhetoric on extreme metal
Words by Jason Kiss The Deep When we describe something as deep, we often imply that it goes beyond the surface and holds a kind of significance that eludes the realm of the superficial. Depth stands in opposition to shallowness and points toward a more reflective and nuanced reality than the socially accepted “truths” of... Continue Reading →
The Ichor of ChimeraOut 28th March on No Remorse Records Following the promising ‘Visions of Esoteric Splendor’ split in 2021 with Ezra Brooks, Serpent Rider return with an unapologetically heavy metal debut, sidelining the extreme metal elements of the EP. This is done for the sake of expanding on rich, longform tracts of classic metal... Continue Reading →
Sprung has spring There’re flowers everywhere. Something my son, who recently learnt how to say flower, repeatedly reminds me of every time we pass a dandelion, which is many. Rain still pelts the soil with sporadic and utilitarian urgency. But the pauses between showers are now defined by glorious stretches of sunshine, its inroads into... Continue Reading →
Sadist: Something to PierceOut 7th March on Agonia Records If you want to understand the paradox of progressive metal, studying the career of Sadist can be highly instructive . The more influences the genre imbibes, the broader its expressive range, the march toward unchecked eclecticism, the more its core identity recedes into a distant memory.... Continue Reading →
Zora: Scream Your HateOut 28th February on Great Dane Records (originally released in 2016) Direct, linear death metal benefits the form by stripping away any unnecessary fat, leaving a precision timed device of aggressive, energetic percussive noise. The format may be simple, but the playing is precise, with pin sharp rhythms forcing what are at... Continue Reading →
Oblations in AtrocityOut 15th February, self-released Captures a sense of amateur possibility missing in much of the overly curated gestures to lo-fi black metal in the contemporary landscape. In this regard it mirrors early Ungod in its bisection of idiosyncratic riff signatures that nevertheless thrive within traditional melodic forms elevated by a drab ambience that... Continue Reading →
The purpose of an interview is what it does The recent discussion between Decibel’s Albert Mudrian and longtime YouTube reviewer Anthony Fantano looks benign enough, but what does it do? Unsurprisingly, Fantano’s line of questioning ventriloquises the polarised interests of the modern fanbase, which tends to oscillate between an obsession with death metal’s origins and... Continue Reading →
The official history of Immolation By Kevin Stewart-Panko Immolation are the band that made me fall in love with death metal. Having purchased ‘Dawn of Possession’ on a whim back in 2005(?) on one of many surreptitious trips to Guildford HMV, something about this album clarified the small print of this genre for me. For... Continue Reading →
Vengeance EvangelOut 14th February on Lavadome Productions “Technical death metal” is a problematic label. Genre names often refer to some specific technique or dominant feature of the music itself. To apportion off a subgenre by simply asserting that it’s more technically demanding than its mothership can be something of a misnomer. Just exactly how or... Continue Reading →
How to avoid sex through music Spring is here. Trees are budding. Birds engage in their annual renewal of the housing stock. Days are lengthening, and somehow even the rainfall seems charged with heavy handed virility. The very air you breathe oozes sex. Of course this is all something I’m thoroughly against. The listening rotation... Continue Reading →
Hate Meditations 