Armchair rhetoric on extreme metal
The Philosophy of Eternal Recurrence Out 19th April, self-released Jakarta’s Tombstone return for album number three of no thrills melodic black metal pulling from the mid-90s Swedish style. Here we see the contours flattened off somewhat for the sake of producing an even more direct, transparent delivery mechanism for linear runs of simple melodic sequences,... Continue Reading →
In 1985 Ray Belknap placed a 12-gauge shotgun under his chin and shot himself, dying instantly. His friend James Vance then took the same shotgun, placed it under his own chin, and pulled the trigger. He survived but was severely disfigured. The parents sued Judas Priest, whose music, they claimed, had mesmerised their sons, encouraging... Continue Reading →
Why is metal such a stubbornly perennial passion? I’d venture that it’s not just the intensity and obsession it provokes, but just how deep and far the genre spread across the globe. If you ever feel the need to refresh your listening rotation, you can pretty much close your eyes and point to a place... Continue Reading →
Impious Throne: Suffering Out 11th April on ATMF – De Tenebrarum Principio (originally released in 2024) Despite the brevity of this album, one can’t help but wish for some heavy handed editing. Frantic, riff centric, immediate black metal succeeds in conveying a tragedian gravitas and sense of occasion. But Impious Throne are forever saddling themselves... Continue Reading →
Hateful Draugar from the UndergroundOut 28th March on Darkness Shall Rise Synthesises elements of early Enslaved with Burzum to great effect, but veers away from the detached cinematic narratives of the former, into something closely resembling the understated folk narratives of Isengard. The result is a satisfying reaffirmation of black metal as both an atmospheric... Continue Reading →
Words by Jason Kiss The Deep When we describe something as deep, we often imply that it goes beyond the surface and holds a kind of significance that eludes the realm of the superficial. Depth stands in opposition to shallowness and points toward a more reflective and nuanced reality than the socially accepted “truths” of... Continue Reading →
The Ichor of ChimeraOut 28th March on No Remorse Records Following the promising ‘Visions of Esoteric Splendor’ split in 2021 with Ezra Brooks, Serpent Rider return with an unapologetically heavy metal debut, sidelining the extreme metal elements of the EP. This is done for the sake of expanding on rich, longform tracts of classic metal... Continue Reading →
Sprung has spring There’re flowers everywhere. Something my son, who recently learnt how to say flower, repeatedly reminds me of every time we pass a dandelion, which is many. Rain still pelts the soil with sporadic and utilitarian urgency. But the pauses between showers are now defined by glorious stretches of sunshine, its inroads into... Continue Reading →
Sadist: Something to PierceOut 7th March on Agonia Records If you want to understand the paradox of progressive metal, studying the career of Sadist can be highly instructive . The more influences the genre imbibes, the broader its expressive range, the march toward unchecked eclecticism, the more its core identity recedes into a distant memory.... Continue Reading →
Zora: Scream Your HateOut 28th February on Great Dane Records (originally released in 2016) Direct, linear death metal benefits the form by stripping away any unnecessary fat, leaving a precision timed device of aggressive, energetic percussive noise. The format may be simple, but the playing is precise, with pin sharp rhythms forcing what are at... Continue Reading →
Hate Meditations 