Armchair rhetoric on extreme metal
Gruwelijk OnthaalOut 18th September on Folter Records It’s been ten years since Kaeck’s debut ‘Stormkult’. Where that album consolidated an austere reading of early second wave black metal into an aggressive, tight, yet atmospheric celebration of the genre, subsequent releases have – at least aesthetically – dramatically deviated from this foundation. 2021’s ‘Het zwarte dictaat’... Continue Reading →
All Powers of DarknessOut 22nd August on Hells Headbangers Medieval Demon, erstwhile outliers of the classic Greek scene, continue their eccentric second life with a run of occultist horror metal pitched plumb on the border between the sublime and the ridiculous. Where 2022’s ‘Black Coven’ was an articulation of shamelessly confident traditional gothic horror tropes... Continue Reading →
Coronation of the GrotesqueOut 15th August on Dark Descent Records Modern death metal is often guilty of running away from itself. Either gesturing at lofty, pseudo esoteric avant-garde affectations, or else leaning so aggressively into its own cliché that it begins to behave like novelty music. Castrator’s latest offering is something of a breath of... Continue Reading →
Incinerated: The Epitome of TransgressionOut 14th July on BlackSeed Lifts the clustered melodic density of late second wave black metal (think Cirith Gorgor or Gorgon) with a thread of fatalistic lamentation, topographically similar to modern dissodeath but pivoting more toward traditional melody, rendered abrasive by the freneticism of the performances. The strained emotion, and indeed... Continue Reading →
Understanding Sacramentum I was as shocked as anyone to hear of the tragic passing of Nisse Karlén. Sacramentum were a very formative band in the development of my taste. I was lucky enough to catch them at the London Deathfest in 2022, and was looking forward to seeing them at Cosmic Void Festival in just... Continue Reading →
Lord of Two HornsOut 27th June on Nuclear Winter Records Drawn and Quartered remind us that – despite my growing cynicism – you should never write anyone off before their time. 2021’s ‘Congregation Pestilence’ was a tight but forgettable iteration of dark American death metal. One that led me to conclude that we could expect... Continue Reading →
Nithe: Funeral DeathOut 30th May on Caligari Records Standard retro black/death/thrash metal conceals a more active imagination than is typical for this beaten and very much deceased horse. Each segment revels in its simplicity, but as an excess of ideas unfurl across each track, one can at least admire the attention to detail in constructing... Continue Reading →
Funeral Baptism: In SolitudineOut 30th May on Loud Rage Music If you ever conceived the (admittedly niche) desire to know what Dissection would sound like playing depressive black metal it’s all here. Thrilling and graceful melodic content flirting on the border of the trivial engages in a balancing act with intense emotional flourishes expressed through... Continue Reading →
I’m back! After a brief hiatus to process what I’m told were “feelings”. What’s changed since I’ve been gone? Well, nothing…obviously. Except the world’s first AI band finally managing to extract the artist from the artwork. A slow march toward technological homogeneity continues apace, something everyone agrees is bad whilst actively embracing it at every... Continue Reading →
An Tóramh: Echoes of Eternal NightOut 9th May on Black Lion Records Mixing the despondency of latter day Esoteric with a lo-fi sensibility grants this album a greater degree of dignity than the overworked emotional catharsis of much modern funeral doom. The usual hesitant, droning chords are punctuated by almost constant harmonic decoration, with the... Continue Reading →
Hate Meditations 