Armchair rhetoric on extreme metal
SAD: Fullmoon’s Bestial AwakeningOut 31st October on Purity Through Fire SAD continue their quest to appropriate generic second wave black metal sweet-nothings into what is essential punky rock ‘n’ roll. Despite the length of this album, and indeed the considerable girth of the tracks within, there is little to suggest they have expanded into a... Continue Reading →
Christus VenariOut 12th September on Personal Records Choppy, frantic death metal channels the frenetic energy of early Deicide into an explicitly gothic darkness. Borrowing the aesthetic material accrued from more populist extreme metal strains in the form of early 2000s Behemoth, refocusing what was previously empty fanfare into an efficient, tight, yet no less diverse... Continue Reading →
(There are only four) Metal subgenres don’t exist. I think we’ve imagined them all. I’ve run the numbers, and by my count there’s only ever been four. “How could we have been so wrong about this?” you ask. I don’t know, but I’m going to expend considerable effort wildly speculating regardless. I curse my spare... Continue Reading →
Pestilential HymnsOut 20th October on Memento Mori Thaumatrugy upgrade themselves from the competent but commonplace chasmic death/doom of the debut into a more holistic statement of extreme metal. Reinvigorating the increasingly murky territory between black and death metal with a clarity that can only come from a rigorous riff discipline. The demo phase of Swedish... Continue Reading →
LoreOut 3rd October on Eleventh Key I often use the term “world building” when writing about music. It’s probably worth clarifying what I mean here. History may remember early 21st Century music not in terms of artistry, but granular developments in technological. Developments that may have seemed small and incremental in isolation, but at the... Continue Reading →
Gruwelijk OnthaalOut 18th September on Folter Records It’s been ten years since Kaeck’s debut ‘Stormkult’. Where that album consolidated an austere reading of early second wave black metal into an aggressive, tight, yet atmospheric celebration of the genre, subsequent releases have – at least aesthetically – dramatically deviated from this foundation. 2021’s ‘Het zwarte dictaat’... Continue Reading →
All Powers of DarknessOut 22nd August on Hells Headbangers Medieval Demon, erstwhile outliers of the classic Greek scene, continue their eccentric second life with a run of occultist horror metal pitched plumb on the border between the sublime and the ridiculous. Where 2022’s ‘Black Coven’ was an articulation of shamelessly confident traditional gothic horror tropes... Continue Reading →
Coronation of the GrotesqueOut 15th August on Dark Descent Records Modern death metal is often guilty of running away from itself. Either gesturing at lofty, pseudo esoteric avant-garde affectations, or else leaning so aggressively into its own cliché that it begins to behave like novelty music. Castrator’s latest offering is something of a breath of... Continue Reading →
Incinerated: The Epitome of TransgressionOut 14th July on BlackSeed Lifts the clustered melodic density of late second wave black metal (think Cirith Gorgor or Gorgon) with a thread of fatalistic lamentation, topographically similar to modern dissodeath but pivoting more toward traditional melody, rendered abrasive by the freneticism of the performances. The strained emotion, and indeed... Continue Reading →
Understanding Sacramentum I was as shocked as anyone to hear of the tragic passing of Nisse Karlén. Sacramentum were a very formative band in the development of my taste. I was lucky enough to catch them at the London Deathfest in 2022, and was looking forward to seeing them at Cosmic Void Festival in just... Continue Reading →
Hate Meditations 