Modern dad rock: Autopsy and Master

In the current renaissance of extreme metal, it must be hard for older artists to find their voice. Having witnessed so many changes in the world and in the metal scene, staying relevant is a constant challenge. As technology develops exponentially, with cultures and societies barely keeping up with the newest innovations, the scale of... Continue Reading →

Self-awareness: where cultures go to die

Many elements align in the creation of a classic. Spontaneity – which could be characterised as a youthful ignorance of the conventions of one’s elders; that intangible guile that invigorates the young mind – is one such element. But the more I think about spontaneity, the more I change my mind about its significance, and... Continue Reading →

Be seated: Tenhi and Wardruna

I’m still having problems with this word ‘folk’ in a metal context. It prima facie means popular music, usually written by an unknown author, transmitted through word of mouth; it forms part of regional identities and traditions. In this strict definition it’s usually simple, catchy, something everyone can play and sing. Much folk is played... Continue Reading →

Slow death: Derketa and Faustcoven

Death/doom is a tricky one to pin down. Is it just death metal played slow? Or is it a different subgenre entirely? There’s probably too many variations to define it with any certainty. Doom metal proper aside, the tag is often something that happens to other genres, creating doomy versions of themselves. This spans death... Continue Reading →

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