Spring of 2021 feels like as good a time as any for a personal audit. The sticky “who am I?” question beyond the manner in which our labour is sold. What is metal fandom? How do I practice it? Does any of it matter? For the disaffected youth, the escapism of alternative culture provides an... Continue Reading →
I like the beats and I like the yelling: Ischemic, Gadunhas, Final Gasp
Ischemic: Ischemic (2021) 2021 is as good a year as any for a statement of personal intent. A time to take stock and declare our presence to the world. This is the subtext I’m reading into Ischemic’s self-titled second LP in any case. The fact that it’s self-titled implies a clarity of purpose, a degree... Continue Reading →
I like the beats and I like the yelling: N + Ehnahre, Spellforger, Nekkrofukk
N + Ehnahre: Jacob (2021) Bostonian experimentalists Ehnahre are joined by German drone guitarist Hellmut Neidhardt (aka N) for their latest album ‘Jacob’. It’s a lengthy hodgepodge of post hardcore, drone, ambient, and garden variety experimental offcuts. The result is another keyless foray into the limits of tone, essentially picking up where early Swans left... Continue Reading →
Mood music: Impetigo and Krisiun
Boiling any music down to its rawest ingredients is a near constant compulsion found nested within fully fleshed out genres. There will always be artists that exist in defiance of a genre’s aspirations toward coffeehouse talking point status. Work enough jazz, enough esotericism and self-referential nods to the favoured music theory of the day, and... Continue Reading →
I like the beats and I like the yelling: Cisza, The Sombre, Bestial Entity, Celestial Sanctuary
Cisza: Ritual of the Wind (2021) The new single from the Polish outfit known as Cisza sees another tight blend of energetic black metal set against a subtle backdrop of post rock. ‘Ritual of the Wind’ carries forward the best elements of their debut EP ‘If It Is True What the Prophets Write’ (2017) and... Continue Reading →
Metal’s Retromania Part III: The eternal return
After the New Wave of British Heavy Metal, movements within metal tended to follow the same lifecycle of gestation, consolidation, and renaissance. After this creative and artistic peak genres would invariably meet a fork in the road. One path was to court major label attention, who would in turn dictate the terms of the metal’s... Continue Reading →
I like the beats and I like the yelling: Kodu, Valosta Varjoon, Wharflurch
Kodu: Unusta kõik (2021) Unusta kõik – the debut album from the Estonian black metallers known as Kodu – is one of those albums that adopts a specific philosophy of composition, and uses this to frame the music writing process. Said philosophy is at its most explicit on the closing track ‘Laotus’. A muffled and... Continue Reading →
I like the beats and I like the yelling: Olde, Caskets Open, Majestic Mass
Olde: Pilgrimage (2021) The dirty little not-so-secret of stoner doom is that it’s an atmospheric genre at heart. This does not preclude the possibility of chunky riffs by any means, but part of the appeal is the immersive experience, a broad brushstroke of themes and moods as opposed to the forensic riff tessellation and melodic... Continue Reading →
I like the beats and I like the yelling: Cruel Life Inside, Sacrilegious Crown, Pustilence
Cruel Life Inside: Eclipsis Vitae (2021) Despite having the name of a mid-2000s emo band, Cruel Life Inside are another package of reforms aimed at making something of “positive” black metal. We could spend all day descanting on what we mean when we say music is “positive” or “negative”, and whether black metal even conforms... Continue Reading →
Wave to the darkness: Die Verbannten Kinder Evas and Dargaard
Darkwave is another genre tag that is easy to dismiss as superfluous. But the more you dig, the more it becomes a useful way to cordon off a set of artists that arose out of the 1980s in the wake of goth, post punk, and the first wave of neofolk. Equally, owing to this broad... Continue Reading →
