Havohej: Table of Uncreation (2019) Paul Ledney finally returns with a new Havohej LP ten years after the ground-breaking ‘Kembatinan Premaster’ (2009). And if that album laid the groundwork for how the inevitable marriage of noise and black metal might actually work, then 'Table of Uncreation' moves us just a little further along this road.... Continue Reading →
Beasts from the Netherealms: Cirith Gorgor and Sammath
Some call it war metal, but it’s really just a particularly aggressive strain of black metal that looks to speed and intensity before atmosphere. I guess its origins lie in the likes of Blasphemy, who fused the back-to-basics punk of early black metal with grindcore. But a particularly militaristic strain evolved with the likes of... Continue Reading →
I like the beats and I like the yelling: Funereal Presence, Detieti, Disannulleth
Funereal Presence: Achatius The second offering from Funereal Presence swung off the vine onto my desk the other day: 'Achatius', released early this year. It is truly one of the more unique releases that I have come across in recent years. It revels in a primitivism of decades gone by, namely the older school of... Continue Reading →
Jack of all trades, master of grind: Agathocles and Terrorizer
Grindcore was a real game changer for extreme metal. With one foot in hardcore punk and one foot in death metal, it’s influence can be felt far beyond the obvious. It’s dual heritage also led to a bizarre binary choice for lyricists, politics or gore, and never the twain shall meet. But whatever limitations it... Continue Reading →
Learning the right lessons: The Ruins of Beverast and Nargaroth
When I compare the canonized albums of metal gone by with those of the last ten years or so, I sometimes wonder if we learnt all the wrong lessons. We get bogged down in vague and subjective details, the feel of the music rather than the logic. As music evolves, specific aspects of a sound... Continue Reading →
I like the beats and I like the yelling; Pressor, Cryptic Shift, Of Wounds.
Pressor: Weird Things (2018) After power metal and grindcore, stoner doom is one of the most limiting genres in metal. It's one of our worst kept secrets. But not all limitations are created equal. And where some see limitations, others see a challenge, an opportunity to discover uncharted creative spaces. There are a number of... Continue Reading →
I liked the beats and I liked the yelling: my decade in music
The 2000s were a tedious era to be a teenager. Our youth was set to a backdrop of Star Wars prequels, that frog text alert, and Coldplay existing. It was a largely dormant zeitgeist, punctuated by terror atrocities, illegal wars, and economic collapse. For all the horrors the 2010s have witnessed, it has at least... Continue Reading →
Weaponised riffs: Torchure and Sinister
It’s an agreed fact that genre saturation eventually leads to genre decline. It’s also an agreed fact that this happened to death metal by around 1993/4. But was this as simple as genre saturation, or simply saturation of subpar music? The risk – for the interested fan – is in simply sticking to the same... Continue Reading →
Why do people like black metal?
The other day I find myself trapped in a Youtube hole when this video cropped up: https://www.youtube.com/watch?v=ybohhW7pf74 It’s a fairly standard clickbait screen rant. I’ve watched a few from this chap in the past. His ‘What Killed the Genre’ series offers some distracting summations of various genres of metal and rock. As with any... Continue Reading →
I like the beats and I like the yelling: Megalith Levitation, Written in Torment, Foreseen
Megalith Levitation: Acid Doom Rites In many ways the true heir to Electric Wizard’s ‘Come my Fanatics’, this wholesome slab of murky doom metal is a big old beast to tackle. And just like CMF, Megalith Levitation’s first LP ‘Acid Doom Rites’ offers a few lessons in undertaking the delicate balancing act that is doom... Continue Reading →