Sinoath; Research (1995, rereleased on Hessian Firm 27th March) “Reissue” is a dirty word in some circles. A way for labels to suck every last penny out of long dead artists, an endless cycle of dredging up old material in new wrapping. All the more need to reiterate the original and frankly nobler purpose behind... Continue Reading →

Allow me to indulge in a Wikipedia definition to kick this one off, which describes the avant-garde as “people or works that are experimental, radical, or unorthodox with respect to art, culture, or society. It is frequently characterized by aesthetic innovation and initial unacceptability.” The reason for setting out the *define-your-terms* stall at the outset... Continue Reading →

HOR: No Birth nor End (2021) Greek black metallers HOR return with another compact selection of orthodox black metal with their difficult second album entitled ‘No Birth nor End’. Their approach to the form is worth paying attention to if for no other reason than to hear a classic style played with conviction. Both the... Continue Reading →

Plague Weaver: Ascendant Blasphemy (2021) ‘Ascendant Blasphemy’ is the debut LP from this Canadian outfit. It’s a forceful mix of cyclical Rotting Christ style riffs, with the oppressiveness of early Samael, and some riffs even reaching all the way back to Celtic Frost in their relentless and dronelike qualities, as if they being dragged along... Continue Reading →

The first iterations of symphonic black metal – or rather any black metal that leans heavily on keyboards – was too advanced for its time in many ways. The tech available and affordable in the mid-90s was limited and clunky when put in service of the grand operas many underground artists – those without label... Continue Reading →

Why did the UK never witness an enduring black metal scene? It’s a question nearly as old as black metal itself. And one that continues to be asked despite this particular hole being filled with a suspiciously Cradle of Filth shaped peg. But looking past fingers of blame, the fact that the UK never established... Continue Reading →

Ordo Cultum Serpentis: Derej Najash (2021) An extreme metal album with lavish ambient interludes is a fairly common thing. But what if someone came along and flipped this on its head? Why not write dark ambient music with the occasional foray into the metallic territory? As banal as such an endeavour sounds, there are many... Continue Reading →

Deepest gratitude to El Negro Metal for allowing Hate Meditations to publish the English language version of this interview with Mefitis. You can find the original version of the interview here, along with other great articles on underground metal. On the release of their brand new album 'Offscourings', Pendath and Vartha of Mefitis have been... Continue Reading →

Amon Acid: Paradigm Shift (2021) From Hate Meditations’ hometown of Leeds comes the new LP from Amon Acid. To call ‘Paradigm Shift’ an amalgamation of Hawkwind and Electric Wizard would be simultaneously a great disservice yet entirely true. In the literal sense, Amon Acid have taken the slow, brooding doom of Electric Wizard, which rooted... Continue Reading →

Kjeld: Ofstan (2021) Dutch black metal seems to consistently offer a tight hammer blow of audial experiences that are at once rich with melody yet bound along with near infectious aggression. Kjeld are no exception in this regard. Their latest LP ‘Ofstan’ offers hyper-fast black metal constructed of forceful, upfront riffing contrasted with moments of... Continue Reading →