I like the beats and I like the yelling: Lunar Funeral, Gnosis, Shrieking Demons

Lunar Funeral: Road to SiberiaOut 24th July on Helter Skelter Productions There was a moment between โ€˜Witchcult Todayโ€™ and โ€˜Black Massesโ€™ where Electric Wizard looked like they were about to morph into a richly atmospheric garage rock version of themselves. Darker than Uncle Acid, heavier than Purson, and infinitely more interesting than Conan. But sadly... Continue Reading →

A return to humility: Ancient and Ulver

โ€œWhat does black metal mean to you?โ€ The phrasing of this question implies that musical messages are not just inter-subjective, but utterly atomised. Music and culture hold no collective meaning, but exist solely to serve individual egos and their alleged stake in the zeitgeist. Culture becomes nothing more than a means to furnish oneโ€™s personality... Continue Reading →

I like the beats and I like the yelling: Thecodontion/Vessel of Iniquity, Exil, Krossfyre

Thecodontion/Vessel of Iniquity: The Permian-Triassic Extinction EventOut 3rd September, CD release on I, Voidhanger Records, cassette release on Bad Moon Rising (Taiwan)/Dead Red Queen Records (USA) As the march of history continues apace, beyond our control or understanding, extreme metalโ€™s quest for new sonic pastures to capture the moment can sometimes look like panic. In... Continue Reading →

Future of the past: Heilung and Byrdi

Nordic folk seems to be the agreed umbrella term for the wave of artists currently putting out sonic facsimiles of pre-Christian pagan music. But genre tags aside, this style sure is getting lapped up by metalheads these days. Given metalโ€™s affiliation with pagan spirituality and culture, along with its frequent appropriation of regional folk music... Continue Reading →

I like the beats and I like the yelling: Warmoon Lord, Institution D.O.L., Tyrannus

Warmoon Lord: BattlespellsOut 25th June on Werewolf Records Hereโ€™s a novel thing: traditional Scandinavian black metal with an original sense of melody. Warmoon Lordโ€™s latest offering โ€˜Battlespellsโ€™ is a tour de force of classic northern European iterations of black metal, but onto this familiar foundation is stamped a marked identity of its own. The backdrop... Continue Reading →

Ukrainian folkways: Khors and Kroda

Itโ€™s interesting to document the geographical chronology of the second wave of black throughout the 1990s. From the earlier offerings to come out Norway, Finland, Greece, and the US, considered to be the bedrock of our understanding of black metalโ€™s different shades to this day. Through to the mid-1990s with France, Austria, and Poland all... Continue Reading →

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