I like the beats and I like the yelling: Thecodontion/Vessel of Iniquity, Exil, Krossfyre

Thecodontion/Vessel of Iniquity: The Permian-Triassic Extinction EventOut 3rd September, CD release on I, Voidhanger Records, cassette release on Bad Moon Rising (Taiwan)/Dead Red Queen Records (USA) As the march of history continues apace, beyond our control or understanding, extreme metalโ€™s quest for new sonic pastures to capture the moment can sometimes look like panic. In... Continue Reading →

Future of the past: Heilung and Byrdi

Nordic folk seems to be the agreed umbrella term for the wave of artists currently putting out sonic facsimiles of pre-Christian pagan music. But genre tags aside, this style sure is getting lapped up by metalheads these days. Given metalโ€™s affiliation with pagan spirituality and culture, along with its frequent appropriation of regional folk music... Continue Reading →

I like the beats and I like the yelling: Warmoon Lord, Institution D.O.L., Tyrannus

Warmoon Lord: BattlespellsOut 25th June on Werewolf Records Hereโ€™s a novel thing: traditional Scandinavian black metal with an original sense of melody. Warmoon Lordโ€™s latest offering โ€˜Battlespellsโ€™ is a tour de force of classic northern European iterations of black metal, but onto this familiar foundation is stamped a marked identity of its own. The backdrop... Continue Reading →

Ukrainian folkways: Khors and Kroda

Itโ€™s interesting to document the geographical chronology of the second wave of black throughout the 1990s. From the earlier offerings to come out Norway, Finland, Greece, and the US, considered to be the bedrock of our understanding of black metalโ€™s different shades to this day. Through to the mid-1990s with France, Austria, and Poland all... Continue Reading →

El Negro Metal Interview Polemicist (Josiah Domico)

Deepest gratitude to El Negro Metal for allowing Hate Meditations to publish the English language version of this interview with Josiah Domico of Polemicist. You can find the original version of the interview here, along with other great articles on underground metal. Judging from the first impressions, your second album sounds quite different from the... Continue Reading →

The progressive turn: Cynic and Obliveon

Iโ€™ve made much of the progressive turn that death metal took in the early 1990s. But this is usually from a cultural angle over a raw analysis of the music. What did it mean that extreme metal โ€“ a rampantly chaotic form of music with such primitive origins - fused with jazz via King Crimson,... Continue Reading →

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