I like the beats and I like the yelling: Journey into Darkness, Devour Every Star, Cosmic Burial

Journey into Darkness: Infinite Universe Infinite DeathOut 10th September on Spirit Coffin Publishing Journey into Darknessโ€™s third LP โ€˜Infinite Universe Infinite Deathโ€™ jettisons some of the baggage of symphonic metal's contested past, cutting the fat from a bloated style with class and poise. This homage to the vastness of space eschews the barren soundscapes of... Continue Reading →

Acoustic essentials: Empyrium and October Falls

The initial loadstone for foundational black metal was an explicit exercise in self-limitation. Cut the fat away from metal as it was becoming by the late 1980s, the meaty production, the excessive riffs, the complex and the bouncy rhythms and what are you left with? Obviously this ascetic quest was quickly jettisoned by the turn... Continue Reading →

I like the beats and I like the yelling: Necronautical, Sentiero dei Principi, Etxegiรฑa

Necronautical: Slain in the SpiritOut 20th August on Candlelight Records Mancunian symphonic black metallists return with album number four: โ€˜Slain in the Spiritโ€™; displaying that oft sought but rarely found blend of undeniable continuity with the past and expanded horizons. Symphonic black metal can be a highly dense form of music at times. Ethereal iterations... Continue Reading →

Mortal quandaries: Infester and Cenotaph

The swirling mass of activity that was death metal in the early 1990s sparked many offshoots and hidden corridors. A plethora of doors were opened almost from the moment of its inception, even if not all were walked through. But much like history itself, a hegemony tends to form around one specific dominant narrative, a... Continue Reading →

I like the beats and I like the yelling: Lunar Funeral, Gnosis, Shrieking Demons

Lunar Funeral: Road to SiberiaOut 24th July on Helter Skelter Productions There was a moment between โ€˜Witchcult Todayโ€™ and โ€˜Black Massesโ€™ where Electric Wizard looked like they were about to morph into a richly atmospheric garage rock version of themselves. Darker than Uncle Acid, heavier than Purson, and infinitely more interesting than Conan. But sadly... Continue Reading →

A return to humility: Ancient and Ulver

โ€œWhat does black metal mean to you?โ€ The phrasing of this question implies that musical messages are not just inter-subjective, but utterly atomised. Music and culture hold no collective meaning, but exist solely to serve individual egos and their alleged stake in the zeitgeist. Culture becomes nothing more than a means to furnish oneโ€™s personality... Continue Reading →

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