On King Crimson’s despatches from the rabbit hole

The Further Listening series โ€œOn January the 13th 1969, King Crimson was born, in the basement of the Fulham Palace cafรฉ, on the Fulham Palace Road, in Londonโ€ฆit was a Mondayโ€. And on the 10th of October 1969 King Crimson released their debut album โ€˜In the Court of the Crimson Kingโ€™โ€ฆit was a Friday. It... Continue Reading →

I like the beats and I like the yelling: Pestilength, Snรธgg, Kostnatฤ›nรญ

Pestilength: Basom GryphosOut 7th March on Nuclear Winter/Sentient Ruin/Goat Throne Stop your grinninโ€™ and drop your linen, we have a death/doom band that doesnโ€™t sound exactly like Incantation, Iโ€™m so happy I could cry. โ€˜Basom Gryphosโ€™ is the second LP from the Spanish entity known as Pestilength, and whilst not the most obviously ground-breaking exercise... Continue Reading →

Necropolis Podcast #42 – Khand

#42 - Khand: Jim from Khand joins. Beyond being a central figure in the current Dungeon Synth scene (he should be the main leader of DS, in my humble opinion), he has been heavily involved with metal and other forms of music. Shelley returns as the cohost as we delve into some of the nerdy... Continue Reading →

Aeons within microcosms: Ceremonium and Mythic

It is fascinating to consider how quickly homogenisation can set in. Over just a few short years death metal went from being the outward frontier of metal to a rigidly prescribed set of rules and expectations that โ€“ when not met โ€“ buried many creative avenues before they were able to reach fruition. Fledging careers... Continue Reading →

Origins of paralysis: Aura Noir and Absu

The term blackened thrash warrants closer scrutiny. Today itโ€™s considered a subgenre, and one that contemporary fans seem to have a near limitless appetite for despite the endless conveyor belt of colour-by-numbers artists that are currently flying its colours. But a strong argument could be made for this being the black metal archetype. Given the... Continue Reading →

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