Rigor Sardonicous: Praeparet BellumOut 23rd January on Memento Mori The latest album from veteran death doomsters Rigor Sardonicous showcases their dirge ridden brand of industrial death doom in ever increasing iterations of entropic decay brilliantly. Hailing from Long Island, this outfit have been crafting their own form of minimalist, ruminant death metal for many years... Continue Reading →
Beats and yelling from: Thy Darkened Shade, Confined, Blood/Incantation
Thy Darkened Shade: Liber Lvcifer II: MahapralayaOut 10th January on W.T.C. Productions Part โAnthemsโฆโ era Emperor, part modernistic dissonance thrills, and part Hellenic quirk, the latest album from Thy Darkened Shade is not lacking for talking points. The album pulses between mid-paced tempos and brief but intense bursts of speed, with the melodic character of... Continue Reading →
The ambient hut: Garden Gnome
Garden GnomeG.S.S.R. (Gnomewegian Soviet Socialist Republics) Trust an outfit like Garden Gnome to take dungeon synth โ a micro-genre already straining at fanatical irony's leash โ and shove completely up its own arse. This project started out as a relatively measured take on dungeon synth back in 2021, despite its obvious tongue-in-cheek attitude to the... Continue Reading →
Necropolis #56 – S. Craig Zahler Pt. II (Organisms from an Ancient Cosmos)
S. Craig Zahler (director of Bone Tomahawk, Brawl in Cell Block 99, Dragged Across Concrete, etc) returns to Necropolis to discuss his new graphic novel โOrganisms from an Ancient Cosmosโ. We chat about what the creation process was like, why he prefers โhardโ science fiction over more fantastical takes on the genre, our disbelief in... Continue Reading →
Beats and yelling from: Nocturnal Departure, Spectral Corruption, Tot aus dem Wald
Nocturnal Departure: Clandestine TheurgyOut 30th December on Hells Headbangers A pleasing blend of energetic, riff based black metal of the dirtiest order meets the refinement of the genreโs more cinematic aspirations on the latest album from Canadaโs Nocturnal Departure. โClandestine Theurgyโ is a diverse beast despite its relatively primitivist presentation. Riffs move from busy melodicism,... Continue Reading →
Beats and yelling from: Hate Forest, Order of Nosferat, Grymmstalt
Hate Forest: InnermostOut 21st December on Osmose Productions Hate Forest shed their reverential grandeur and delve back to the earthy aggression of their formative years for their latest album โInnermostโ. If โHour of the Centaurโ struck a rather stirring, defiant tone, here we see Roman Saenko turning Hate Forest into an expression of wanton despair,... Continue Reading →
Beats and yelling from: Absolute Key, Sermon of Rot, Vampyric Tyrant
Absolute Key: The Third Level of DecayOut 21st December on Signal Rex โThe Third Level of Decayโ is another one of those albums that poses as a parody of music, but here the joke is extended to the point where it looks something like sincerity. Itโs as if a mysterious alien race were attempting to... Continue Reading →
2022: there were beats and there wereย yelling (full list)
40: Fiat Nox: Demanifestation (Hymns of Destruction and Nothingness)Crawling Chaos Records Fits comfortably inside the modern penchant of modern extreme metal for oppressive aesthetics, favouring dissonance and density as ends in themselves. At the borders of death, black, and doom metal where listeners are permitted to luxuriate in an overtly apocalyptic vibespace. But Fiat Nox... Continue Reading →
Review: Organisms from an Ancient Cosmos by S. Craig Zahler (guest entry)
Article by Jason, aka Lonegoat from the Necroclassical projectย Goatcraftย and the host of theย Necropolis podcast The second graphic novel by director, screenwriter, cinematographer, novelist, musician and extreme metal enthusiast S. Craig Zahler, Organisms from an Ancient Cosmos is a synthesis of classic science fiction and horror exhibited in a good-looking hardcover. Precisely as with his first... Continue Reading →
Metal is (good) conservative art
On the left, itโs a generally accepted norm that small-c conservatives do not produce good art. This refrain is regularly trotted out to demonstrate not only the moral bankruptcy of conservatives, but also their cultural bankruptcy. To be conservative is to live without the ability for self-critique, vulnerability, or creativity. The ultimate โgotchaโ. The analysis... Continue Reading →