Zealotry: At the Nexus of All Stillborn Worlds (2018) Zealotry’s third LP ‘At the Nexus of All Stillborn Worlds’ is a many tentacled beast of elastic progressive death metal mastery. It’s an album that reaches for the very top of the shelf when it comes to high concept, otherworldly death metal, heavily referencing the rhythmic... Continue Reading →

It’s a question that remains at the very heart of punk ever since its inception. For every single offshoot of punk over the years, the looming spectre of uncertain longevity has all but killed off the promise of evolution. The germinal of every punk movement is primitive, reactionary, but also hamstrung from the start by a... Continue Reading →

HOR: Exitium (2019) HOR is new black metal outfit from Greece, which – based on the increasing number of newer Greek bands making headways overseas – is quickly reasserting itself as a black metal hotspot. ‘Exitium’ is their debut LP released in 2019. A streamlined and direct battering of four songs that stretch to just... Continue Reading →

Two more Swedish death metal offerings that have rightly been canonized, although, due to the relatively brief careers of the bands that spawned them, it’s arguable that the albums themselves are revered over and above the artists. They tap into an informal trend within death metal in the early 1990s that seems to have all... Continue Reading →

Sweven: The Eternal Resonance (2020) The long awaited follow up to Morbus Chron’s revered 2015 offering of the same name, Robert Andersson returns with new project Sweven, and a new album: ‘The Eternal Resonance’. Much like the album itself, my feelings on this are a flaccid cocktail of meandering, unfocused, directionless non-events. In one sense... Continue Reading →

It’s been a tough decade for black metal. False profits have lurked round every corner. Reasonable metrics of quality have been dismissed as the elitist ramblings of arbitrary cultural gatekeepers, or worse, just plain backward looking. This has allowed shallow novelty or avant-garde free-for-alls to define not only what counts as new and innovative, but... Continue Reading →

Sorgelig: We, the Oblivious (2019) Greece’s Sorgelig dropped their second LP last year: ‘We, the Oblivious’. Rather than following in the wake of their country’s forbears they have looked north for their inspiration, and offered up what is essentially a more complex ‘Transylvanian Hunger’. Now, before you point out how you may have read that... Continue Reading →

I think I've mentioned this point before, so I don't want to over-egg it: technical death metal - a genre with much potential - was hijacked towards the late 1990s, and boy did it take a while to recover. Suffocation were a fantastically influential band, and rightly so, but with the rise of Nile and... Continue Reading →

Society is one sheet of bog roll away from total revolution, and the rest of us are cooped up inside, so it seems we are left with plenty of time to catch up on our listening. If things continue, there may be many more releases to come from the stranded musicians of the underground for... Continue Reading →

A cynical reading of the 21st century stoner boom would turn away from any intrinsic appeal the genre holds and look externally to explain the cause. One would be its links to classic rock, attracting listeners well beyond the metal community. Another would be the fact that compared to other subgenres, the basic components are... Continue Reading →