Review – Death Metal

By T Coles, 2023 One has to admire the unassuming guile it takes to release a book like โ€˜Death Metalโ€™ into the wild of 2023, without supervision or shelter from the harsh weather currently ravaging the death metal landscape. This book arrives under the guise that it will reach an imagined audience of death metal... Continue Reading →

Beats and yelling from: Carma, Maggot Crown, Tombstone

Carma: OssadasOut 3rd March on Monumental Rex Somewhere between the grim realism of Esoteric and the yearning threnodies of Skepticism sits โ€˜Ossadasโ€™, the latest album from Portugalโ€™s Carma. This is a weighty tome of epic contemporary funeral doom. Why use the โ€œcontemporaryโ€ qualification? Because much like modern Skepticisim the music pivots away from the depressive... Continue Reading →

Necropolis #60 – Shostakovich (Classical Music Talk)

A casual discussion about Shostakovich by two Bruckner enthusiasts (Jason and Sรฉbastien). A graduate from the Royal Conservatory of Liรจge in Belgium (1st prize organ, 1st prize harmony, 1st prize history of music, 1st prize musical analysis); Sรฉbastien Letocart is a self-taught composer, who has built his musical equally by studying ancient music (i.e. Josquin... Continue Reading →

Beats and yelling from: ย Oerheks, Vertebrae Fetish Totem, Unholy Craft

Oerheks: LandschapsanachronismenOut 22nd February on Amor Fati Productions Obscure, peripheral, melancholy, yet oddly wistful, thereโ€™s no denying the rich emotional brew Belgiumโ€™s Oerheks whip up on their latest demo โ€˜Landschapsanachronismenโ€™. A pleasingly symmetrical release consisting of two epic pieces of obscure black metal pulling at similar heartstrings as those attempted by much of the post... Continue Reading →

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