Martyrdoom: As Torment PrevailsOut 23rd October on Memento Mori Anyone vaguely attuned to current events will be aware that modern death/doom is overstuffed with content. The reasons are not hard to fathom. The genre encourages puffed out mixes that make the bar of entry low, you can pad the runtime with long passages of guitar... Continue Reading →
Necropolis #77 – On New “Old School Death Metal” (Blindverkostung)
The lads dissect new "OSDM" by exchanging audio samples in an attempt to understand their content; a kind of "Blindverkostung" or "blind-tasting." The conclusion after such an endeavour is that new "OSDM" is a vibe rather than an artistic expression.ย https://www.youtube.com/watch?v=CMyrR3GpYyM
Beats and yelling: what’re Krieg for?
RuinerOut 13th October on Profound Lore Records 2023 has seen an odd convergence of USBM old guard return to the fray. Demoncy, Profanatica, and now Krieg all seem keen to re-establish their relevance over a scene that has long since expanded beyond an underground that nurtured them. At the time Krieg formed in the late... Continue Reading →
What have hipsters ever done for us?: a retrospective
Throughout its history, one arm of metal or another has been engaged in some form of trench warfare with perceived threats, both internal and external. When I entered the scene in the mid-2000s, protracted wars with old enemies on the Christian right and the forces of commercialisation had all but burned themselves out. Demoralised by... Continue Reading →
Beats and yelling: Profanatica and aging with dignity
Crux SimplexOut 22nd September on Season of Mist If ever a course correction were required for the good ship Profanatica it would be now. The project helmed by Paul Ledney is perhaps the most visible from a crop of first wave USBM artists โ along with VON, Demoncy, Black Funeral, and Grand Belialโs Key โ... Continue Reading →
Beats and yelling shorts, 23rd October 23
Bergrizen: OrathaniaOut 22nd September on Purity Through Fire Concocts disparate but well thought out textural passages somewhere between the arcane naturalism of Ildjarn and the floating space ambient of Midnight Odyssey. Whilst neither comparison may be all that welcome, crafting ambient in program vignette form based on cultural or geographical source material is a sure... Continue Reading →
Beats and yelling shorts, 21st October 23
Vortize: Desde Bajo TierraOut 15th September on Selvajaria Records Irrepressibly bouncy speed metal prepares the ground for rich melodic integration articulated via a classicist NWOBHM attack meshed to folk flourishes. Impassioned metal crooning served on the high end below falsetto, anthemic hooks, Spanish guitar solos, galloping percussive attacks of bracing thunder. All would be entirely... Continue Reading →
Necropolis #76 – Midnight Odyssey
Dis Pater, the prolific creative force behind Midnight Odyssey, joins us for a conversation about his upcoming album "Biolume Part 3 - A Fullmoon Madness" (available on November 24th via I, Voidhanger Records), the recent European tour by Midnight Odyssey, the intricacies of his projects, and various elements that shape his distinctive perspective. Preorder the... Continue Reading →
Book report: decoding the Malazan
Having finally completed Midnight Tides, the fifth instalment in Steven Eriksonโs Malazan Book of the Fallen, it feels like a good time to scrutinise the deranged culture surrounding this fantasy series. Erikson is most appropriately positioned as a competent writer of pop fiction. He can string together a well paced beach read. His stories take... Continue Reading →
Beats and yelling: Sรผhnopfer and revolutionary melodicism
Nous sommes dโHierOut 6th October on Debemur Morti Productions The more metal succumbs to anti-traditionalism, the more a rigid compositional discipline begins to look like an act of defiance. Many times metal has attempted to extract itself from the burden of melodic construction (I here mean melodic in the broadest possible sense, covering atonal and... Continue Reading →